Daniel Fuller reviews the historical presentation and accountability of the pottery found inHear Me Now: The Black Potters of Old Edgefield, South Carolina at the High Museum of Art, Atlanta.
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
Burnaway’s fifth annual reader release party is at Banshee on the evening of March 19th – come join us!
Jennifer Dudley visits the East Atlanta studio of artist Erin Hamm to talk about reinvention, curiosity towards choreography, and the process of truly listening.
Madeleine Seidel reviews the absence of boundaries and geography found in the collective of Atlanta artists on view in The sea swept the sandcastles away. (To wake up in Atlanta!) at MARCH, New York.
Bryn Evans reviews the communal gestures and commitment to craft and kin found in Sonya Clark: We Are Each Other at the High Museum of Art, Atlanta.
Jackson Markovic sits and speaks with Atlanta-based artist Erik Thurmond on his pop music alias Pasquale and the visibility of audience agency, pop structures, and mysticism.
Thalia Butts visits the Atlanta-based studio of mixed media artist Demetri Burke, speaking on the value of traveling and the weight of legacy.
Jacob O Kelley reviews the vibrant abstraction in Hasani Sahlehe: You Really Gotta See It Live, a solo exhibition by Atlanta-based artist Hasani Sahlehe at the Atlanta Contemporary, Atlanta.
