From Those Hands
For Burnaway’s March Mood Ring, Rita Harper traces the matriarchal lineage of a One Step Polaroid Instant Camera through photographs of the past and present across New Orleans, Atlanta, and Logtown, Georgia in From Those Hands.
For Burnaway’s March Mood Ring, Rita Harper traces the matriarchal lineage of a One Step Polaroid Instant Camera through photographs of the past and present across New Orleans, Atlanta, and Logtown, Georgia in From Those Hands.
For the next iteration of the Annotations column, Grace Aneiza Ali reflects on her belief about curating as a space of listening through the form of titles, installations, public programs, the artist’s words, and exhibition catalogs.
In December’s co-publishing initiative with Oxford American, Demetri Burke speaks with Atlanta-based artist Arturo Lindsay on being raised in Panama, his home archive, and his work in Patacones, Paintbrushes, & Power at the African Diaspora Art Museum of Atlanta (ADAMA).
Courtney McClellan, Grace Aneiza Ali, and Natalie Willis Whylly speak in conversation with one another on the American South as a migratory space, cultural remittances, and allowing for sentimentality in one’s work.
Montenez Lowery reviews the acts of obscuring found in UNTITLED, Petie Parker’s solo exhibition at Old Rabbit Gallery, Atlanta.
Tara Escolin visits the Atlanta-based studio of Jackson Markovic to discuss his practice of analogue photography and documenting Atlanta’s dance scene.
Daniel Fuller reviews the life and work of Nancy Elizabeth Prophet in Nancy Elizabeth Prophet: I Will Not Bend an Inch at the Spelman College Museum of Fine Art, Atlanta.
Jackson Markovic reviews 5 Mountain Dews, Ross Landenberger’s solo exhibition of color field photographs exposed with soda, at THE END Project Space, Atlanta.
Burnaway is excited to announce our third Artist Edition ‘Untitled (Studio View)’, a flag made by Atlanta-based artist Antonio Darden.