November 4, 2021
Burnaway’s bi-weekly news roundup includes Arkansas’ first art education graduate program, PAMM’s Caribbean Cultural Institute Fellowship, and South Arts’ new partnership with the Ford Foundation.
Burnaway’s bi-weekly news roundup includes Arkansas’ first art education graduate program, PAMM’s Caribbean Cultural Institute Fellowship, and South Arts’ new partnership with the Ford Foundation.
Burnaway takes a close look at El Lewis: Voyage to ATLantis, an exhibition by El Lewis on view at MINT in Atlanta.
Yves Jeffcoat finds radicalism between rest and play in the work of Nellie Mae Rowe at the High Museum of Art, Atlanta.
In Dreaming in Real Time, Tyler Mitchell isn’t picturing utopia. But through his lens, he is able to craft an image of Georgia that sees home as a place of contradiction.
Contributor Leia Genis reviews Hannah Tarr’s solo exhibition that explores angels, illness, and escape.
Bryn Evans reviews wild chrysalis bloom by Zipporah Camille Thompson at whitespace in Atlanta.
Burnaway’s bi-weekly news roundup includes the digital preservation of Joe Minter’s African Village in America, a newly proposed Creative Economy Revitalization Act, and April Parker becoming Managing Director of Elsewhere in Greensboro, North Carolina.
Burnaway’s bi-weekly news roundup includes a partnership between Etsy, Gee’s Bend quilters, and Gullah Basket weavers; and the Mellon Foundation’s ‘Humanities in Place’ program awardees.
ming joi considers the cosmic connections at the mud at our feet at Swan Coach House Gallery, Atlanta.