South African artist Esther Mahlangu is finishing up a month-long residency at the Virginia Museum of Fine Art in Richmond. She and her granddaughter have been at work, in public view, on two 9-by-15-foot murals at the entrance to the African art galleries. The Ndebele artist, who always wears traditional native attire, is noted for her murals that are adapted from designs painted on the exterior of rural homes.
During her stay, the 78-year-old Manlangu has taught children’s classes, which she also does at her home and studio in South Africa. Richmond street artists Mikhael Broth and Andre Shank stopped by to observe and were fascinated by her delicate brushes made from chicken feathers and sturdier brushes made from plant materials that allow her to freehand precise lines and bold color blocks. “She says, ‘The ruler is in your mind,’ but she’s also not afraid to be slightly off,” said Shank.
The murals will be formally presented to the public in programs on October 8 and 9.
According to press materials, the traditional murals on homes, painted by women, were a statement of identity and resistance against colonial displacement from the land during apartheid. Mahlangu learned how to paint from her mother and grandmother in the 1940s. Originally, the murals were made with natural materials that resulted in earthy tones, but they became more vibrant with the availability of commercial paints.
Mahlangu became known to Western audiences in 1989 with her inclusion in the landmark “Magiciens de la Terre” exhibition, curated by Jean-Hubert Martin, at the Pompidou Center in Paris. In 1991, BMW commissioned her for its Art Car program, joining the ranks of Alexander Calder, Andy Warhol, David Hockney, and Frank Stella. She remains the only woman and only non-Western artist to produce a car for BMW; in 1994, the car was displayed at the National Museum for Women in the Arts in Washington, DC, which also commissioned her to paint the facade of an annex building.
All VMFA photos by Travis Fullerton and David Stover.
Word of Mouth
Burnaway takes a Close Look at You Got Your Secret On, a group exhibition on view at Quappi Projects in Louisville.
Daniel Fuller tracks the life and lore of James "Son Ford" Thomas, a legendary blues musician and sculptor from the Mississippi Delta.
What would a museum look like if it focused on the fictions of modern history rather than its facts? The Colombian curator, David Ayala-Alfonso, forms an answer in his exhibition on view in Savannah, GA.