explores the South’s metaphysical nature as a living archive, existing dually as a spatiotemporal metric: a means of fluid existence and a meteorological pursuit.
address the ways in which someone or something is visually indistinguishable from its context, specifically speaking to the permeability of the Southern landscape and its inhabitants.
There’s not enough places in the world where we can learn about the South. That’s the focus, it’s a part of [The Reading Room’s] mission: To ensure that there’s enough evidence, just like Arthur Schomburg intended. That evidence has existed for decades, but it’s vital that it’s in a place where you can access it, and people can come to know for themselves.
Amarie Cemone Gipson, founder of The Reading Room, sits with Camille Bacon to discuss her journey in creating the Black art reference library and her vision for its future in Houston.
Through video, gifs, and cinemagraphs, West Virginia artist Ally Christmas meditates on the loss of her grandmother, examining text messages and altering textiles and family photos.
For our Camouflage series, Leia Genis speaks with Victoria Dugger on the push and pull grotesque gaze directed towards and enacted by Black, disabled bodies.
Alexandra Martinez reviews the reflections on Miami's pockets of gentrification found in the group exhibition Residential Properties 2.0 at Diana Lowenstein Gallery, Miami in this BA x Oolite feature.
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