indexes the rich tradition of large-scale world building by artists in the South as a means of exploring alternative modes living among the landscape and repurposing the refuse of industry.
In this essay for our 2022 theme Invasive Species, Allison Young speaks with artist Hannah Chalew about pollution and waste as new ways of thinking about art making.
Delving into the archives of Black feminist performance art, Brandee Newkirk finds timely critique of Black female abjection in artistic society and the larger social world in Lorraine O'Grady's current retrospective at the Weatherspoon Art Museum.
