Burnaway Magazine
Zoe Ariyama contextualizes the permanence of pottery in her review of Katherine Choy: Radical Potter in 1950s New Orleans at the New Orleans Museum of Art (NOMA).
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Artist Environments
indexes the rich tradition of large-scale world building by artists in the South as a means of exploring alternative modes living among the landscape and repurposing the refuse of industry.
Nonhuman
engages theories of post-humanism, the agency of other species, and new perspectives that invite a reappraisal of how we value nonhuman life.
Invasive Species
explores the organic and inorganic forces that infect our landscapes and obscure our understanding of ecosystems.
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Kinlaw
Oct 17, 2022
It’s designed for people to be afraid of – but also to be playful with, which is exactly the intersection that I love.
”Kat Eaves speaks with interdisciplinary composer and choreographer Kinlaw ahead of their performance at ICA VCU.
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Mood Ring
lost in the seams
Through AI altered voice memos layered over video clips from a visit to Puerto Rico, artist Keysha Rivera reveals her thoughts on making art.
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![Enrique Castro-Cid and Space at [NAME] Gallery](https://cdn.burnaway.org/wp-content/uploads/2022/11/Enrique-Castro-Cid_Protocol-Pressure_Installation-view1-540x421.jpg)
Michelle F. Solomon takes in the delicate patterns of Enrique Castro-Cid at [NAME] Gallery in this BA x Oolite piece.
Lisa Slominski visits Minnie Evans rainbow visions in this NONHUMAN theme story.
Writer Alexandra Martinez considers Franky Cruz's interpretation of the domes of Buckminster Fuller in Miami in this Oolite x BA feature.
