Bryn Evans joins Marguerite (Margy) Adams and Joslyn Gardner—the cofounders of Emory University’s Black Feminist Working Group—to discuss The Ballad of Suzanne Césaire (2024) and the film's engagement with sound and camouflage.
Daisy Gould considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis for the 61st Venice Biennale.
Annie Moye writes about the environmental and communal ethics of artist Yvette Gunn, whose sculptural practice of building birdhouses in her garden honors the natural world.
