Bryn Evans joins Marguerite (Margy) Adams and Joslyn Gardner—the cofounders of Emory University’s Black Feminist Working Group—to discuss The Ballad of Suzanne Césaire (2024) and the film's engagement with sound and camouflage.
Daisy Gould considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis for the 61st Venice Biennale.
Amina Daugherty visits the Atlanta studio of Jasmine Nicole Wiliams to discuss the printmaker's kinship with Suzanne Césaire and her radical vision for cultural liberation.
