Welcome to the Home of the Millionaires
In the next feature release of Burnaway’s co-publishing initiative with Oxford American, Sarah Mullens—the ex-mayor of Bramwell, West Virginia—recalls an almost-forgotten era.
Features (500+)
A Responsible Spirit: The Artist Books of IBé Bulinda Crawley
In the next feature release of Burnaway’s year-long partnership with Oxford American, Sommer Browning interviews IBé Bulinda Crawley on her artist books and her founding of the IBé Arts Institute in Hopewell, Virginia.
History Painting #1 (for B.N.) in the wake of Helene
In this special contribution, Asheville-based artist Hannah Cole reflects on the destruction of her studio by Hurricane Helene, the loss of most of her life’s work, and how she’s navigating the changes to her practice through describing one surviving piece.
“Going nowhere fast”: Negotiating cinema nostalgia in The Loveless (1981)
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
Analogous Ecologies: The Surreal and the Mundane in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023)
In this Twang theme feature, Jordan Barrant considers the kindred histories of Black Caribbeans and Southerners depicted in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023).
The Archetype of the Southern Lawyer
For our next Twang theme feature, Courtney McClellan distinguishes the archetype of the Southern lawyer, from the bad to the supposed good.
Signs of the Times
In the initial release of Burnaway’s co-publishing initiative with Oxford American, Francess Archer Dunbar details the invaluable legacy of Serge Toussaint’s murals in Miami’s Little Haiti neighborhood.
Elvis’s Soundtrack Songs: The Best of the Worst
In the initial release of Burnaway’s co-publishing initiative with Oxford American, Elena Passarello traverses one of the most important bootlegs in music history.
PORTENT by Laura Facey in Bellevue, St. Ann, Jamaica
Shannon Chen See reviews and unpacks the nuances of PORTENT, a new exhibition of work by Laura Facey in Bellevue, Jamaica.
