For the next iteration of Burnaway’s SIREN theme, Natalie Willis Whylly speaks on the machete as the song of feminine sovereignty and revolution in the work of Reagan Kemp and Tamika Galanis.
Natalie Willis Whylly shares a profile of multidisciplinary artist Jodi Minnis Rolle and her concerns around the history of the Bahamian hospitality industry.
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
