Gio Swaby: Love, Drawn Through The Eye Of A Needle
Natalie Willis Whylly situates diaspora-based textile artist Gio Swaby’s Black feminist portraiture in its original Bahamian context.
The Bahamas (5)
Cutlass Calling | The Machete’s Siren Song of Feminine Sovereignty
For the next iteration of Burnaway’s SIREN theme, Natalie Willis Whylly speaks on the machete as the song of feminine sovereignty and revolution in the work of Reagan Kemp and Tamika Galanis.
Jodi Minnis Rolle: Vexing the Bahamian Hospitality Narrative
Natalie Willis Whylly shares a profile of multidisciplinary artist Jodi Minnis Rolle and her concerns around the history of the Bahamian hospitality industry.
A Blue Haunting: Between the Caribbean and the Carolinas at Tern Gallery, Nassau
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Orchid Daze by Lillian Blades at the Atlanta Botanical Gardens
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
