Barthélémy Toguo at SCAD MOA, Savannah
Ian Carstens considers the interwoven themes of remembrance and cultural critique in Barthélémy Toguo’s Urban Requiem at the SCAD Museum of Art in Savannah.
Ian Carstens considers the interwoven themes of remembrance and cultural critique in Barthélémy Toguo’s Urban Requiem at the SCAD Museum of Art in Savannah.
Our monthly round up of calls, residencies, and opportunities includes grants from Getty Images, the Andy Warhol Foundation, and Anonymous Was A Woman.
Burnaway’s bi-weekly news roundup includes Barbados’ new Heritage District, Andy Warhol Foundation grantees, and the fate of Charlotesville’s Robert E. Lee statue.
On this Day of Mourning, we revisit Lisa Jaye Young’s interview with Zig Jackson, the first Indigenous photographer to receive the Guggenheim Fellowship, in Savannah, Georgia.
Daniel Fuller interviews Derek Larson, creator and animator of Trés Mall, a hazy philosophical series airing on the art platform DIS.
Burnaway’s bi-weekly news roundup includes the announcement of new gifts and donations at the Boca Raton Center for Arts and Innovation, Hampton University, the Virginia Museum of Fine Arts, and Stove Works.
What would a museum look like if it focused on the fictions of modern history rather than its facts? The Colombian curator, David Ayala-Alfonso, forms an answer in his exhibition on view in Savannah, GA.
Burnaway’s bi-weekly news roundup includes the announcement of a fellowship program for U.S. Latinx artists supported by the Ford and Mellon foundations, the High Museum’s upcoming exhibition exploring the rise of self-taught artists, and more.
Defying gravity, the four 8-foot clay bodies of Rose B. Simpson’s Countdown, her new body of works commissioned by the SCAD Museum of Art, pack a powerful presence.