By dawn’s early light at The Nasher Museum of Art at Duke University, Durham
Courtney Napier reviews the importance of constitution and truth to American life found in By dawn’s early light at The Nasher Museum of Art at Duke University, Durham.
Courtney Napier reviews the importance of constitution and truth to American life found in By dawn’s early light at The Nasher Museum of Art at Duke University, Durham.
Susanna Klingenberg visits the studio of Raleigh-based artist Patrizia Ferreira to discuss her hand-stitched “fragile, collapsing creations” that speak to the human experience.
Samantha Oleschuk visits Kelsey Merreck Wagner’s studio in western North Carolina to discuss her weavings, often made from discarded materials, and how the artist sometimes comically becomes “an icon of trash collection.”
Shanley Poole profiles the D.O.S.E. Collective, providing supportive and experimental opportunities for artists in Winston-Salem, North Carolina in our first CRUSH feature.
Camille Bacon, Daria Simone Harper, and Niara Simone Hightower reflect on their experience in Edenton, NC for ‘A Sojourn for Harriet Jacobs.’
In our first Knock Knock theme feature, Robert Alan Grand highlights the students driving the acquisitions behind Wake Forest University’s one-of-a-kind contemporary art collection in Winston-Salem, North Carolina.
Daniel Fuller reviews Shinichi Sawada’s first US solo museum exhibition, a collection of the artist’s small, fantastical, and otherworldly ceramic creatures.
Colony Little reflects on the hands and history behind fiber works on display in exhibitions at the North Carolina Museum of Art and the Gregg Museum of Art & Design in Raleigh, North Carolina.
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.