November 4, 2021
Burnaway’s bi-weekly news roundup includes Arkansas’ first art education graduate program, PAMM’s Caribbean Cultural Institute Fellowship, and South Arts’ new partnership with the Ford Foundation.
Burnaway’s bi-weekly news roundup includes Arkansas’ first art education graduate program, PAMM’s Caribbean Cultural Institute Fellowship, and South Arts’ new partnership with the Ford Foundation.
Burnaway’s bi-weekly news roundup includes new appointments at the Underground Museum and Crystal Bridges, awardees for fellowships at Anchorlight and the Joan Mitchell Foundation, and more.
In Dreaming in Real Time, Tyler Mitchell isn’t picturing utopia. But through his lens, he is able to craft an image of Georgia that sees home as a place of contradiction.
Burnaway’s bi-weekly news roundup includes the digital preservation of Joe Minter’s African Village in America, a newly proposed Creative Economy Revitalization Act, and April Parker becoming Managing Director of Elsewhere in Greensboro, North Carolina.
Burnaway’s bi-weekly news roundup includes a partnership between Etsy, Gee’s Bend quilters, and Gullah Basket weavers; and the Mellon Foundation’s ‘Humanities in Place’ program awardees.
Our monthly round up of calls, residencies, and opportunities for artists with deadlines in September 2021, including residencies at Hambidge and Idea Capital grants.
Burnaway’s bi-weekly news roundup includes the announcement of new gifts and donations at the Boca Raton Center for Arts and Innovation, Hampton University, the Virginia Museum of Fine Arts, and Stove Works.
Burnaway’s bi-weekly news roundup includes the announcement of a fellowship program for U.S. Latinx artists supported by the Ford and Mellon foundations, the High Museum’s upcoming exhibition exploring the rise of self-taught artists, and more.
Daniel Fuller muses fondly over the showmanship of the Bayou Classic, the subject of Keith Duncan’s new works on view at Fort Gansevoort.