The Practice of Nadia Tahoun
Francess Archer Dunbar explores the practice of Nadia Tahoun, a Palestinian American artist and founder of Flower Shop Collective, based between New York and Tahoun’s hometown of Miami.
New York (9)
Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City
Valentin Diaconov reviews the aesthetic of stuttering found in Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City.
Beyond the Frame: Abstraction Reconstructed at CANADA, New York
Noah Simblist reviews the multitude of abstraction’s meanings and uses in Beyond the Frame: Abstraction Reconstructed, a Two-Person Exhibition Featuring Denzil Hurley and Reginald Sylvester II at CANADA, New York
Holding Tina Girouard’s Archives: A Conversation with Andrea Andersson, Jordan Amirkhani, and Jade Flint
Laurel V. McLaughlin interviews Andrea Andersson, Jordan Amirkhani, and Jade Flint of the Rivers Institute for Contemporary Art & Thought in New Orleans regarding Tina Girouard’s multidisciplinary practice and her here-now.
In Another Place: Benny Andrews and the Practice of Teaching in Prisons
Nadia Scott reflects on the teaching practice of Benny Andrews, originally born in Georgia, who instructed with the Prison Arts Program in at the Manhattan House of Detention in New York City.
…as in to flatten: Juliana Huxtable & Photography
In this CRUSH feature, Jackson Markovic profiles the work of Texas-born artist Juliana Huxtable, who repurposes media tools as a method of critiquing and flattening stereotypes, shallowness, and tropes.
A Soft Place to Land: In Conversation with Le’Andra LeSeur
Haley Clouser interviews Le’Andra LeSeur on her film Monumental Eternal (2024), the visceral experiences at Stone Mountain in Georgia, and her solo exhibition at Pioneer Works, Brooklyn.
The Incredulity of Jacolby Satterwhite
In April’s Art21 x Burnaway feature, we enter and explore the resurrection, rebirth, and regenerative quality of Jacolby Satterwhite’s virtual worlds.
The sea swept the sandcastles away. (To wake up in Atlanta!) at MARCH, New York
Madeleine Seidel reviews the absence of boundaries and geography found in the collective of Atlanta artists on view in The sea swept the sandcastles away. (To wake up in Atlanta!) at MARCH, New York.
