Carlos Nuñez and Maria Owen on the Whitney Biennial
Carlos Nuñez and Maria Owen reflect on the 2026 Whitney Biennial, discussing its aesthetics and global-regional connectivity alongside featured works by Southern and Caribbean artists.
New York (9)
Clare Hu: The Haptic Optics of Overshot Weaving
Courtney McClellan examines reproduction, materiality, and legacy in New York-based, Georgia-born artist Clare Hu’s weavings.
In Conversation with Abigail Lucien
Justin Chance interviews sculptor, writer, and educator Abigail Lucien, who explores language alongside motifs of enclosure and liminal space, in their work.
‘Sweet Lilly-Marie’ by Marlos E’van – A Burnaway Artist Edition
Burnaway is excited to announce ‘Sweet Lilly-Marie’, our next Artist Edition by Nashville and New York-based artist Marlos E’van.
In Conversation with Marlos E’van
Justin Chance sits down with New York City-based artist Marlos E’van to discuss the roles of mentorship and references in E’van’s work, alongside their art object for Burnaway’s fourth Artist Edition.
Tommy Kha: Leftovers at Higher Pictures, Brooklyn
Madeleine Seidel reviews the symbolic feast for the dead in Tommy Kha: Leftovers at Higher Pictures, Brooklyn.
The Practice of Nadia Tahoun
Francess Archer Dunbar explores the practice of Nadia Tahoun, a Palestinian American artist and founder of Flower Shop Collective, based between New York and Tahoun’s hometown of Miami.
Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City
Valentin Diaconov reviews the aesthetic of stuttering found in Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City.
Beyond the Frame: Abstraction Reconstructed at CANADA, New York
Noah Simblist reviews the multitude of abstraction’s meanings and uses in Beyond the Frame: Abstraction Reconstructed, a Two-Person Exhibition Featuring Denzil Hurley and Reginald Sylvester II at CANADA, New York
