Laurel V. McLaughlin interviews Andrea Andersson, Jordan Amirkhani, and Jade Flint of the Rivers Institute for Contemporary Art & Thought in New Orleans regarding Tina Girouard’s multidisciplinary practice and her here-now.
Nadia Scott reflects on the teaching practice of Benny Andrews, originally born in Georgia, who instructed with the Prison Arts Program in at the Manhattan House of Detention in New York City.
In this CRUSH feature, Jackson Markovic profiles the work of Texas-born artist Juliana Huxtable, who repurposes media tools as a method of critiquing and flattening stereotypes, shallowness, and tropes.
Haley Clouser interviews Le’Andra LeSeur on her film Monumental Eternal (2024), the visceral experiences at Stone Mountain in Georgia, and her solo exhibition at Pioneer Works, Brooklyn.
In April’s Art21 x Burnaway feature, we enter and explore the resurrection, rebirth, and regenerative quality of Jacolby Satterwhite’s virtual worlds.
Madeleine Seidel reviews the absence of boundaries and geography found in the collective of Atlanta artists on view in The sea swept the sandcastles away. (To wake up in Atlanta!) at MARCH, New York.
“I can build anything I want to build. I’m not a narrative painter. I don’t do the idea or the painting being the illustration of an idea, I don’t do that. It’s all about the materiality of the paint,” notes the late Jack Whitten. In February’s Art21 x Burnaway feature, we pay homage to the Alabama-born artist’s fifty-year career and ingenuity for invention.
Valentin Diaconov contemplates the flamboyant desperation and abstract battle scenes by Dallas-based artist Leslie Martinez in their solo exhibition titled The Fault of Formation at MoMA PS1, New York.
In a new poem, Durham-based poet Destiny Hemphill looks beneath the surface of Wangechi Mutu’s Subterranea Flourish, featured in the Nasher Museum of Art’s exhibition, Spirit in the Land.
