Call for Artists: May 2024
Our monthly round of opportunities includes a critical arts writing grant, arts access mini grants in Tennessee, and applications for ceramics and woodworking residencies in Winston-Salem, North Carolina.
Our monthly round of opportunities includes a critical arts writing grant, arts access mini grants in Tennessee, and applications for ceramics and woodworking residencies in Winston-Salem, North Carolina.
In April’s Art21 x Burnaway feature, we enter and explore the resurrection, rebirth, and regenerative quality of Jacolby Satterwhite’s virtual worlds.
Our monthly round of opportunities includes an open call for performances at a festival in West Nashville, a biennial showcasing emerging talent from the South in Charlotte, and applications for restorative visioning retreats to local BIPOC artists and culture bearers in New Orleans.
Burnaway announces Amarie Gipson, Robert Alan Grand, Kristina Kay Robinson, and Natalie Willis Whylly as new Editors-at-Large Team.
Madeleine Seidel reviews the absence of boundaries and geography found in the collective of Atlanta artists on view in The sea swept the sandcastles away. (To wake up in Atlanta!) at MARCH, New York.
“I can build anything I want to build. I’m not a narrative painter. I don’t do the idea or the painting being the illustration of an idea, I don’t do that. It’s all about the materiality of the paint,” notes the late Jack Whitten. In February’s Art21 x Burnaway feature, we pay homage to the Alabama-born artist’s fifty-year career and ingenuity for invention.
Our monthly round of opportunities includes an open call for digital commissions based out of Miami, a visual arts prize for work rooted in the American South, and a grant fund for black women photographers.
Burnaway announces the promotion of Courtney McClellan as Editor. “I am committed to an artist-led editorial agenda that is both accessible and experimental because I passionately believe these objectives are complimentary, not mutually exclusive.”
Valentin Diaconov contemplates the flamboyant desperation and abstract battle scenes by Dallas-based artist Leslie Martinez in their solo exhibition titled The Fault of Formation at MoMA PS1, New York.