Laurel V. McLaughlin interviews Andrea Andersson, Jordan Amirkhani, and Jade Flint of the Rivers Institute for Contemporary Art & Thought in New Orleans regarding Tina Girouard’s multidisciplinary practice and her here-now.
Nadia Scott reflects on the teaching practice of Benny Andrews, originally born in Georgia, who instructed with the Prison Arts Program in at the Manhattan House of Detention in New York City.
In this CRUSH feature, Jackson Markovic profiles the work of Texas-born artist Juliana Huxtable, who repurposes media tools as a method of critiquing and flattening stereotypes, shallowness, and tropes.
Haley Clouser interviews Le’Andra LeSeur on her film Monumental Eternal (2024), the visceral experiences at Stone Mountain in Georgia, and her solo exhibition at Pioneer Works, Brooklyn.
Our monthly round of opportunities includes public art calls across North Carolina and Georgia, a summer studio artist-in-residence program in Tennessee, and a jazz and heritage fellowship grant based in New Orleans.
As the 2024 election season concludes, Jasmine Weber considers the stories of voter disenfranchisement and intergenerational struggles found in the abstract color paintings of Houston-born artist Tomashi Jackson.
Our monthly round of opportunities includes the Artadia Awards in Houston, an immersive residency program in Kentucky, and direct support grants for artists in Atlanta.
Ella Ray details Houston-born artist Autumn Knight’s NOTHING#15: a bar at the Portland Institute of Contemporary Art, a performance that leans into desire, play, choice, and absurdity.
Our monthly round of opportunities includes the Artadia Awards in Atlanta and Houston, one of the largest regional grants for South Florida artists, and a call for public murals in Winston-Salem.
