Amina Daugherty reviews what it means to be free in the late life and work of Georgia-based artist Nellie Mae Rowe, currently on view in Really Free: The Radical Art of Nellie Mae Rowe at California African American Museum, Los Angeles.
Our monthly round up of opportunities includes a $50k fellowship and artist grants for artists based in North Carolina, a granting program for Tennessee artists, and live-work studio residencies in Texas.
Our monthly round of opportunities includes a resident artist program for craft artists in Penland, a residency in Knoxville, and an open call for installation-based solo exhibitions in Miami,
Valentin Diaconov reviews the aesthetic of stuttering found in Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City.
Our monthly round of opportunities includes an arts writers grant supporting critical writing, a studio residency in Key West, and an open call for a permanent outdoor mural in Yadkinville, North Carolina.
Burnaway and the Caribbean Cultural Center African Diaspora Institute (CCCADI) are pleased to announce our new collaboration: Care in Precarity, an open call for Caribbean writers to reflect on practices of care in the context of climate-based instability and crisis.
Camille Bacon pays tribute to the late Lorraine O’Grady, who worked across performance, collage, photography, curatorial interventions, and writing.
Our monthly round of opportunities includes an experimental studio residency in Baton Rouge, an open call for large-scale outdoor installations in Kentucky, and a master’s graduate application for art education in Atlanta.
Noah Simblist reviews the multitude of abstraction’s meanings and uses in Beyond the Frame: Abstraction Reconstructed, a Two-Person Exhibition Featuring Denzil Hurley and Reginald Sylvester II at CANADA, New York
