New Layers of Meaning: In Conversation with Sanford Biggers
Natalie Weis interviews Sanford Biggers about his current exhibition at the Speed Museum in Louisville. They discuss L.A. graffiti, Southern vernacular, and code-switching.
Natalie Weis interviews Sanford Biggers about his current exhibition at the Speed Museum in Louisville. They discuss L.A. graffiti, Southern vernacular, and code-switching.
Bryn Evans revisits the writing of bell hooks and finds new visions of Appalachia as a site of refuge and freedom for Black folks while viewing Asheville-based musician and multi-disciplinary storyteller Moses Sumney’s Blackalachia, the artist’s first concert film.
Burnaway takes a close look at Catalog: New Work by the Printmakers Left a group exhibition at the Hite Art Institute in Louisville.
Anna Blake looks for the ghosts in American history at the Speed Museum, Louisville.
Our monthly round up of calls, residencies, and opportunities includes residencies at Antenna, the Bernheim Arboretum and Research Forest, and the Currier Museum of Art.
Jessica Oberdick visits Molly Z.G.’s carpeted heaven or hell at Institute 193 in Lexington, Kentucky.
Burnaway’s bi-weekly news roundup includes a partnership between Etsy, Gee’s Bend quilters, and Gullah Basket weavers; and the Mellon Foundation’s ‘Humanities in Place’ program awardees.
Natalie Weis reviews John Brooks’ We All Come and Go Unknown at the Moremen Gallery, Louisville.
Burnaway takes a Close Look at You Got Your Secret On, a group exhibition on view at Quappi Projects in Louisville.