Matrilineal at Couchpotato Gallery, Louisville
Lindsey Cummins reviews the tug of war between the digital public and personal breadcrumbs found in Matrilineal at Couchpotato Gallery, Louisville.
Kentucky (9)
where the rivers run muddy and the mountains are bare: The 2025 KMAC Triennial at KMAC Contemporary Art Museum, Louisville
Burnaway takes a close look at where the rivers run muddy and the mountains are bare: The 2025 KMAC Triennial at KMAC Contemporary Art Museum, Louisville.
Appalshop Spotlight: Morgan Sexton’s “Little Birdie”
In July’s co-publishing partnership with Oxford American, Leo Shannon writes on the flood-salvaged recordings of Morgan Sexton, the East Kentucky banjo legend.
A Quiet Ruckus: Community Reflections on Now Closed Louisville Publication
For the March edition of Burnaway’s co-publishing with Oxford American, Ian Carstens pays tribute to the now closed Ruckus Journal, an independent arts journal based out of Louisville, Kentucky.
Fool’s Gold at Houseguest Gallery, Louisville
Lindsey Cummins reviews the multimodal assemblages by Hannah Smith in her solo exhibition Fool’s Gold at Houseguest Gallery, Louisville.
Current Speed: Kathia St. Hilaire – Invisible Empires at Speed Art Museum, Louisville
Burnaway takes a close look at Current Speed: Kathia St. Hilaire – Invisible Empires at the Speed Art Museum in Louisville, Kentucky.
In the Studio with Kiah Celeste
Maria Owen visits the Louisville studio of Kiah Celeste to discuss the repurposing of discarded synthetic materials and organic forms across her work.
MC Sparks: Muscle Memory at Institute 193, Lexington
Lindsey Cummins reviews the fantastical bends and curves found in MC Sparks’ solo exhibition titled Muscle Memory at Institute 193, Lexington.
Everyday Love by Richard Dial at Institute 193, Lexington
Daniel Fuller reviews the crafted metal chairs reflecting tenderness and the human condition in Everyday Love by Richard Dial at Institute 193, Lexington.
