Everyday Love by Richard Dial at Institute 193, Lexington
Daniel Fuller reviews the crafted metal chairs reflecting tenderness and the human condition in Everyday Love by Richard Dial at Institute 193, Lexington.
Daniel Fuller reviews the crafted metal chairs reflecting tenderness and the human condition in Everyday Love by Richard Dial at Institute 193, Lexington.
From North Carolina to Kentucky, Noah Rawlings goes on an adventure to find the dwindling dogtrots in the American South, in this Burnaway revisitation of our 2022 Artist Environments theme series.
Megan Bickel reviews the donated textile works in Downriver by Coulter Fussell at Institute 193 in Lexington.
In our first Camouflage theme essay, Shannon Cynowa addresses the obscured history of so-called public land in the collaborative work of Katie Hargrave and Meredith Lynn.
Maria Owen stops in at Lina Tharsing’s studio in Lexington to discuss her ongoing paintings, meditation, monuments, iconography, and dreams.
In this piece from our 2020 print annual Laws of Salvage, artist Stacy Kranitz explores the feminine archetypes and the Mid-South.
Rounding out a series of intimate conversations, Jodie Bass profiles and visits the studio of Letitia Quesenberry, a Louisville-based artist who extends the boundaries of visual perception.
Our monthly round up of calls, residencies, and opportunities includes The Hopper Prize, online workshops through Sulfur Studios, and artist-in-residency programs in Kentucky.
Burnaway staff celebrates the month of April with a list of our favorite organizations, BA stories, albums, artists, films, books, and events for Earth Day.