A Glitch in the Grid: Ricardo E. Zulueta and the Cyborgian Gaze
Burnaway revisits Claudia Mattos’ investigation of Miami-based artist Ricardo E. Zulueta and his cyborg-like ambiguation of images in this NONHUMAN theme story.
Burnaway revisits Claudia Mattos’ investigation of Miami-based artist Ricardo E. Zulueta and his cyborg-like ambiguation of images in this NONHUMAN theme story.
Karla Méndez reviews the notions of migration and materiality found in Juana Valdés: Embodied Memories, Ancestral Histories at the Sarasota Art Museum of Ringling College, Sarasota.
Danny Olda reviews the Seussian palette and cabinets of curiosities found in Pepe Mar: Myth and Magic, a solo exhibition survey of the artist at the Tampa Museum of Art, Tampa.
On this e-spooky Halloween, Francess Archer Dunbar speaks on the iconic citrus tag of Miami-based artist Atomik in this Camouflage feature.
Francess Dunbar reviews the textile abundant and sensory-driven gameplay of Eyes of the Skin, Jen Clay’s solo exhibition at Locust Projects, Miami in this Oolite x BA feature.
Douglas Markowitz reviews the trashy fun paintings by Falopapas at homework gallery in Miami Beach through this Oolite x BA feature.
In this month’s DIY Index entry, BA visits Tunnel Projects, an artist-run project room in Miami, Florida.
Emeline Boehringer reviews AN ANGLE GRINDER GRINDS IN THE BACKGROUND, a presentation of works by Alfredo Ramírez Raymond in collaboration with artists Rafaela Armendaris, Lucas Neira, and Karin Iturralde, that was on view at Coco Hunday in Tampa.
Charlotte Foreman reviews the memory tapestry in Sebastian Maseri’s Fragments of the City at Dale Zine, Miami in this BA x Oolite feature.