Burnaway is delighted to continue our tradition of elevating Southern artists by partnering with Sheet Cake Gallery on a solo exhibition of work by Clare Torina at NADA Miami from December 2-6.
Samantha Oleschuk reviews Manners of Dress, an exhibition which considers what clothing can reveal about identity and performance, at Rollins Museum of Art, Winter Park.
For Burnaway’s TRICKSTER theme feature, Isabella Marie Garcia considers parafiction as a tool in the conceptual practice of Najja Moon, where artist and basketball player collide.
In a special week-long editorial series on zines in anticipation of Burnaway’s Book//Zine fair, Florida-based artist Paul Shortt speaks to the art of tabling a zine fair.
Rosa Boshier González reviews the relationship between natural materials and the attention of a human’s touch in Olga de Amaral at Institute of Contemporary Art, Miami.
Francess Archer Dunbar explores the practice of Nadia Tahoun, a Palestinian American artist and founder of Flower Shop Collective, based between New York and Tahoun’s hometown of Miami.
In September’s co-publishing initiative with Oxford American, Vanessa Garcia explores Floridian independent bookstores that are preserving the freedom to read.
Victoria Ravelo interviews william cordova about a decade of residency hopping, from sleeping in a wooden box to learning from his peers.
![The Grief That Sings: Siren Myth and Mourning in the Work of Ọmọlará Williams McCallister[1]](https://s1.burnaway.org/wp-content/uploads/2025/07/o_fishersofmen_2-540x518.jpg)
Alexandra Martinez considers how artist Ọmọlará Williams McCallister’s Fishers of Men is a vessel of mourning in our inaugural theme release for SIREN.
