Zines | Making (Book)Ends Meet: Making Artist Books in Florida
In a special week-long editorial series on zines in anticipation of Burnaway’s Book//Zine fair, Florida-based artist Paul Shortt speaks to the art of tabling a zine fair.
Florida (9)
Speaking in Color: Olga de Amaral at Institute of Contemporary Art, Miami
Rosa Boshier González reviews the relationship between natural materials and the attention of a human’s touch in Olga de Amaral at Institute of Contemporary Art, Miami.
The Practice of Nadia Tahoun
Francess Archer Dunbar explores the practice of Nadia Tahoun, a Palestinian American artist and founder of Flower Shop Collective, based between New York and Tahoun’s hometown of Miami.
Florida Is Lit
In September’s co-publishing initiative with Oxford American, Vanessa Garcia explores Floridian independent bookstores that are preserving the freedom to read.
Residencies | In Conversation with william cordova
Victoria Ravelo interviews william cordova about a decade of residency hopping, from sleeping in a wooden box to learning from his peers.
![The Grief That Sings: Siren Myth and Mourning in the Work of Ọmọlará Williams McCallister[1]](https://s1.burnaway.org/wp-content/uploads/2025/07/o_fishersofmen_2-540x518.jpg)
The Grief That Sings: Siren Myth and Mourning in the Work of Ọmọlará Williams McCallister[1]
Alexandra Martinez considers how artist Ọmọlará Williams McCallister’s Fishers of Men is a vessel of mourning in our inaugural theme release for SIREN.
In the Studio with Smita Sen
Isabella Marie Garcia visits the studio of Smita Sen to discuss new work that is exploring the heart, emotions in response to the evolution of a place, and performance between Miami and New York City.
The Basse—a Ghost Engine: Tevin Lewis and the Mythic Systems of Becoming
Estefania Vallejo Santiago unravels the world of artist Tevin Lewis, who weaves speculative storytelling and material alchemy in his practice, in our next GHOST theme feature.
Blueprints for the Visitation
In our inaugural release of the GHOST theme, Valentin Diaconov traces the practice of larí garcia, who utilizes objects within their installations as a postscript to loss and grief.
