Ashira Morris details the future of Railroad Square, an art district in Tallahassee affected by tornadoes that is navigating the next steps for its place in the community.
Francess Archer Dunbar reviews Diego Alejandro Waisman’s Sunset Colonies at the Patricia & Phillip Frost Art Museum at Florida International University, Miami, which uses photography and archival materials to preserve the overlooked histories of South Florida’s mobile home communities.
Daniel Fuller unravels the fantastical world of Jiha Moon, where Korean and American culture meet in tension, bound by a spiritual ribbon.
Kicking off National Poetry Month, Z. Yasmin Waheed merges prose poetry and perfumery in Florida Water, a Mood Ring exploring Miami through olfactory memory.
Zeny May Recidoro reviews Njeri Kinuthia’s exhibition Ukombozi: Reclaiming Place and Self, an homage to her Kenyan homeland, and to her self, currently on view at the Dale Mabry Gallery, Tampa.
Ming Joi Washington reviews Andrea Chung: Between Too Late and Too Early, highlighting Chung’s practice as a “curriculum of care” at the Museum of Contemporary Art, North Miami.
Charlotte Foreman visits the studio of Julia García, discussing the influence of the Floridian landscape, internet source imagery, and the generous use of water in her work.
Isabella Marie Garcia interviews Miami-based artist and poet Arsimmer McCoy about turning her home into the Carol City Museum, along with the importance of preserving the histories of her family and neighborhood.
In this Twang theme feature, Jordan Barrant considers the kindred histories of Black Caribbeans and Southerners depicted in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023).
