Isabella Marie Garcia interviews Miami-based artist and poet Arsimmer McCoy about turning her home into the Carol City Museum, along with the importance of preserving the histories of her family and neighborhood.
In this Twang theme feature, Jordan Barrant considers the kindred histories of Black Caribbeans and Southerners depicted in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023).
In the initial release of Burnaway’s co-publishing initiative with Oxford American, Francess Archer Dunbar details the invaluable legacy of Serge Toussaint’s murals in Miami’s Little Haiti neighborhood.
Zeny May Recidoro interviews Orlando Museum of Art’s Chief Curator, Coralie Claeysen-Gleyzon, on the trifecta of exhibitions currently on view that all tie to popular subcultures with skateboarding, punk and new wave culture, and rock, blues, and soul music.
Lauren Baccus profiles the work of Miami-based artist Cornelius Tulloch, his residency time in Suriname, and the unrestrained visual language that speaks to the fluidity of the Caribbean.
Isabella Marie Garcia reviews the distillations of nature and visual ekphrasis located throughout the installations in Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida International University, Miami.
Monica Uszerowicz reviews the speculative interspecies sculptures and lens-based prints in mangrove swamps scattered throughout Lee Pivnik’s Chimeras at Dale Zine, Miami.
Mario Andrés Rodriguez visits the Miami studio of Karla Kantorovich to speak on the artist’s use of earthy materials and nature as grounding to her practice.
Karla Méndez reviews “Zilia Sánchez: Topologías/Topologies” at the Institute of Contemporary Art, Miami—a survey show featuring Sánchez’s work from 1950-1996.
