Burnaway Announces Artist Editions
Burnaway announces Artist’s Editions, a short-run of art objects by Southern and Caribbean artists, kicking off with Wrangle Cowboy Poker Set by Shawn Campbell.
Caribbean (9)
Care in Precarity: Burnaway and CCCADI Announce Collaboration Centering Caribbean Writers
Burnaway and the Caribbean Cultural Center African Diaspora Institute (CCCADI) are pleased to announce our new collaboration: Care in Precarity, an open call for Caribbean writers to reflect on practices of care in the context of climate-based instability and crisis.
Andrea Chung: Between Too Late and Too Early at Museum of Contemporary Art, North Miami
Ming Joi Washington reviews Andrea Chung: Between Too Late and Too Early, highlighting Chung’s practice as a “curriculum of care” at the Museum of Contemporary Art, North Miami.
eight verses for Lorraine O’Grady
Camille Bacon pays tribute to the late Lorraine O’Grady, who worked across performance, collage, photography, curatorial interventions, and writing.
Mazola Wa Mwashighadi: A Practice In Placemaking
Tedecia Bromfield speaks with Mazola Wa Mwashigada on placemaking, diasporic concepts of Blackness, and the magic of found material in the Jamaican landscape.
Current Speed: Kathia St. Hilaire – Invisible Empires at Speed Art Museum, Louisville
Burnaway takes a close look at Current Speed: Kathia St. Hilaire – Invisible Empires at the Speed Art Museum in Louisville, Kentucky.
Analogous Ecologies: The Surreal and the Mundane in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023)
In this Twang theme feature, Jordan Barrant considers the kindred histories of Black Caribbeans and Southerners depicted in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023).
PORTENT by Laura Facey in Bellevue, St. Ann, Jamaica
Shannon Chen See reviews and unpacks the nuances of PORTENT, a new exhibition of work by Laura Facey in Bellevue, Jamaica.
Jodi Minnis Rolle: Vexing the Bahamian Hospitality Narrative
Natalie Willis Whylly shares a profile of multidisciplinary artist Jodi Minnis Rolle and her concerns around the history of the Bahamian hospitality industry.
