For the May co-publishing feature with Oxford American, Alexandra Martinez thinks about nostalgia as a collective experience of Caribbean diasporas in Bad Bunny’s Debí Tirar Más Fotos and Félix Rodríguez Báez’s El Ranchón’s .
Announcing Burnaway’s 2025 Art Writing Incubator, Your Voice is Personal! Applications open now until May 16.
Kevarney K.R. shares on the ancestral wisdom and colonial resistance to be found in the work of Jamaican-born, Trinidad based artist, Jasmine Thomas Girvan.
Burnaway announces its yearly magazine themes: Ghost, Siren, and Trickster.
Burnaway announces Artist’s Editions, a short-run of art objects by Southern and Caribbean artists, kicking off with Wrangle Cowboy Poker Set by Shawn Campbell.
Burnaway and the Caribbean Cultural Center African Diaspora Institute (CCCADI) are pleased to announce our new collaboration: Care in Precarity, an open call for Caribbean writers to reflect on practices of care in the context of climate-based instability and crisis.
Ming Joi Washington reviews Andrea Chung: Between Too Late and Too Early, highlighting Chung’s practice as a “curriculum of care” at the Museum of Contemporary Art, North Miami.
Camille Bacon pays tribute to the late Lorraine O’Grady, who worked across performance, collage, photography, curatorial interventions, and writing.
Tedecia Bromfield speaks with Mazola Wa Mwashigada on placemaking, diasporic concepts of Blackness, and the magic of found material in the Jamaican landscape.
