“Going nowhere fast”: Negotiating cinema nostalgia in The Loveless (1981)
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
Randi Evans looks back and into the archive of glo, an Atlanta-based dance collective, and the performance work of its founder, lauri stallings.
Amina Daugherty visits the studio of Atlanta-based artist Chechi Udumah, speaking on the her layered creative process, surrealism, and the weight of proverbs.
Painting from an image archive and the physical selves around onself, Jane Marchant speaks with Atlanta-based artist Aineki Traverso on the idea of the lens and the immediacy that rises from her work.
Noah Reyes reviews the ripped layers of time and fabric alongside the expansive works on view in Cosmo Whyte: The Sea Urchin Can’t Swim: Tales from the Edge of a World at Johnson Lowe Gallery, Atlanta.
Ifeanyi Awachie reviews the site-specific installation of the end is near, the end is the beginning during Atlanta Art Week 2024 at SITE, The Goat Farm, Atlanta.
Amelia Parenteau speaks with Rachel Parish and Sarah Cameron Sunde on Atlanta to the Atlantic, a Flux Projects commission intended to increase awareness of the South River in Atlanta.
Isabella Marie Garcia reviews the accumulation of flowers and their significance across the selection of works found in Weight at Hawkins Headquarters, Atlanta.
Bryn Evans meets with photographer Tyler Mitchell to speak on the Southern Black imaginary and scenes found in his solo exhibition, Idyllic Space, at the High Museum of Art, Atlanta.