Soundclash: Rural Avant-Garde at Asheville Art Museum
JD Ellison experiences the confusing clash of the Rural Avant-Garde: The Mountain Lake Experience at the Asheville Art Museum.
Asheville (9)
Corrections in the Public Domain
Carolinas editor Susan Lee Mackey observes the successes and failures of public land management through two new exhibits at the Asheville Art Museum.
May 19, 2021
Pike School of Art receives an Our Town Grant from the NEA, awardees for the 2022 Edge Award are announced as well as other awardees from CAC NOLA and Center for Craft, and more in Burnaway’s bi-weekly news roundup.
Fantastical Forms: Ceramics as Sculpture at Asheville Art Museum
Burnaway takes a Close Look at a group show spanning over four decades of ceramic sculpture from the Asheville Art Museum’s permanent collection.
Dawn Roe: Conditions for an Unfinished Work of Mourning: Wretched Yew at Tracey Morgan Gallery, Asheville
Burnaway takes a close look at Dawn Roe’s Conditions for an Unfinished Work of Mourning: Wretched Yew at Tracey Morgan Gallery, Asheville.
High Anxiety at 22 London, Asheville
Kate Averett experiences the tensions of High Anxiety in Asheville.
Slow Connection: TSA GVL presents REDIRECT in Asheville
Kate Averett navigates the fractured landscapes of social media and digital life in an exhibition presented by Tiger Strikes Asteroid Greenville.
Ralston Fox Smith at Tracey Morgan Gallery, Asheville
In a solo exhibition at Tracey Morgan Gallery, painter Ralston Fox Smith imbues color theory and geometric abstraction with fresh emotional richness. Read BA contributor Jeremy Phillips’s review.
James Henkel at Tracey Morgan Gallery in Asheville, NC
BA takes a close look at phtographer James Henkel’s solo exhibition “Table Arrangements” at Tracey Morgan Gallery in Asheville, NC.
