Burnaway takes a close look at Space Makers: Indigenous Expression and a New American Art, at Crystal Bridges Museum of American Art, Bentonville.
Jennifer Dudley speaks with photographer Kristine Potter on mediums, a green curtain, and the variety within Kristine Potter: Dark Waters , on view at The Momentary in Bentonville, AK until October 11.
Pulling from loss, the physical drop of objects and bodies, and three-channel videos, Arkansas-based artist Bethany Springer considers the slow-motion process of grieving, scientific experiments, and action as existence.
Yashi Davalos reviews the somatic suppression to time and sound found in Marie Bannerot McInerney: Trace Me Back at Crystal Bridges Museum of American Art, Bentonville.
Bianca Littlepage reviews the delicate portrait etchings found in New Forms: Black Male Portraiture through Afro-Futurism, Perrion Hurd’s solo presentation of works at Hearne Fine Art Gallery, Little Rock.
In our first Current theme essay, Bianca Littlepage highlights Dedicated Visual Art Studio and Gallery’s determination in rebuilding their Little Rock, Arkansas community.
Katy Galaz considers the convergence of unifying cultural aspirations and capitalistic enterprise in the exhibition Diego Rivera’s America at Crystal Bridges Museum of American Art, Bentonville.
Burnaway editor Jasmine Amussen looks back at the abyss and heavenly firmament of rural Southern girlhood thru the music of Jewel and Ethel Cain.
Visiting Crystal Bridges’s latest exhibition, Rachel Trusty reflects on Northwest Arkansas’s changing landscape and Latinx placemaking beyond borders.
