Ron Ewert: I’ll Keep it with Mine at Good Weather, Little Rock
Tara Escolin reviews the decade of unpublished work and revision found in Ron Ewert’s exhibition I’ll Keep it with Mine, at Good Weather in Little Rock.
Arkansas (9)
What We Lost at the Buffalo National River
For the March edition of Burnaway’s co-publishing with Oxford American, Caroline McCoy speaks with two former National Park Service employees from Arkansas, whose jobs were not reviewed before they were terminated.
An American Sunrise: Indigenous Art at Crystal Bridges Museum of American Art, Bentonville
Tara Escolin details the multivalent works on view found in An American Sunrise: Indigenous Art at Crystal Bridges Museum of American Art, Bentonville.
In the Studio with Jay Benham
Tara Escolin visits the Arkansas studio of Jay Benham to discuss his performance work, the tradition of Kiowa Ledger painting, and the confluence of two cultures in his practice.
Space Makers: Indigenous Expression and a New American Art at Crystal Bridges Museum of American Art, Bentonville
Burnaway takes a close look at Space Makers: Indigenous Expression and a New American Art, at Crystal Bridges Museum of American Art, Bentonville.
In Conversation with Kristine Potter
Jennifer Dudley speaks with photographer Kristine Potter on mediums, a green curtain, and the variety within Kristine Potter: Dark Waters , on view at The Momentary in Bentonville, AK until October 11.
A Companion for Departure
Pulling from loss, the physical drop of objects and bodies, and three-channel videos, Arkansas-based artist Bethany Springer considers the slow-motion process of grieving, scientific experiments, and action as existence.
Marie Bannerot McInerney: Trace Me Back at Crystal Bridges Museum of American Art, Bentonville
Yashi Davalos reviews the somatic suppression to time and sound found in Marie Bannerot McInerney: Trace Me Back at Crystal Bridges Museum of American Art, Bentonville.
New Forms: Black Male Portraiture Through Afro-futurism by Perrion Hurd at Hearne Fine Art Gallery, Little Rock
Bianca Littlepage reviews the delicate portrait etchings found in New Forms: Black Male Portraiture through Afro-Futurism, Perrion Hurd’s solo presentation of works at Hearne Fine Art Gallery, Little Rock.
