Daisy Gould considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis for the 61st Venice Biennale.
Bryn Evans joins Marguerite (Margy) Adams and Joslyn Gardner—the cofounders of Emory University’s Black Feminist Working Group—to discuss The Ballad of Suzanne Césaire (2024) and the film's engagement with sound and camouflage.
