Noah Simblist reviews the multitude of abstraction’s meanings and uses in Beyond the Frame: Abstraction Reconstructed, a Two-Person Exhibition Featuring Denzil Hurley and Reginald Sylvester II at CANADA, New York
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi’s 1,001,532 CE and Didier William’s Gesture to Home for Prospect.6, New Orleans.
Isabella Marie Garcia reviews the distillations of nature and visual ekphrasis located throughout the installations in Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida International University, Miami.
May Howard reviews Designing Motherhood, a timely exhibition on the material history of human reproduction at Houston Center of Contemporary Craft, Houston.
Colony Little reviews how Processing Systems: Numbers by Sherrill Roland, the artist’s latest exhibition, offers a unique take on portraiture and compels viewers to crack the code at the Nasher Museum of Art at Duke University, Durham.
Robert Alan Grand, Editor at Large for the Carolinas, reviews Carly Owens Weiss’s debut solo show in her hometown at Tracey Morgan Gallery, Asheville.
Whitney Washington reviews the playful juxtaposition of artist Erin Dailey’s compositions against Frank Lloyd Wright’s architecture in Abstractions at Play at The Rosenbaum House, Florence.
Claire Dempster reviews the materially rich rainbow and re-contextualization of garments in Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation at Zuckerman Museum of Art, Kennesaw.
Lauren Stroh reviews the second iteration of the Southern Survey Biennial, a snapshot of contemporary art in the South, at Project Row Houses, Houston.
