Speaking in Color: Olga de Amaral at Institute of Contemporary Art, Miami
Rosa Boshier González reviews the relationship between natural materials and the attention of a human’s touch in Olga de Amaral at Institute of Contemporary Art, Miami.
Reviews (500+)
Making Connections: Art, Place, and Relationships at the Weatherspoon Art Museum, Greensboro
Justin Chance reviews Making Connections, an exhibition showcasing the Weatherspoon Art Museum’s permanent collection and highlighting the contributions of Greensboro community members in shaping the museum.
Maaliyah Symoné: Ritual Rest at The Front, New Orleans
Quinn Foster reviews the revolutionary healing found in Ritual Rest, an exhibition and performance ritual by Maaliyah Symoné at The Front, New Orleans.
Linger on the Surface: Outside the Lines at Blue Spiral 1, Asheville
Merin McDivitt reviews Asheville’s Blue Spiral 1’s Outside the Lines, where artists adopt an irreverent approach to surfaces, creating overlapping layers of meaning through unexpected textures and lines, as well as revelations of color and contour.
Brayan Enriquez: Like Hills Made of Sand at Atlanta Center for Photography, Atlanta
Noah Reyes reviews the archival and contemporary reunion of family found in the photographs of Brayan Enriquez: Like Hills Made of Sand at Atlanta Center for Photography, Atlanta.
Matrilineal at Couchpotato Gallery, Louisville
Lindsey Cummins reviews the tug of war between the digital public and personal breadcrumbs found in Matrilineal at Couchpotato Gallery, Louisville.
Keith Duncan: Battle of the Bands, The HBCU Marching Band Series at the Ogden Museum of Southern Art, New Orleans
Thalia Butts reviews the extravagant portrayals and traditions of HBCU marching bands found in Keith Duncan: Battle of the Bands, The HBCU Marching Band Series at the Ogden Museum of Southern Art, New Orleans.
Memory Ware Meets the Multiverse: Topher Lineberry’s Giant-Sized Annual at Lump Gallery
Winston-Salem based writer Matt Garite reviews Topher Lineberry’s Giant-Sized Annual, a two-part exhibition about memory as practice: a way of reassembling what has been discarded or forgotten into new visions of the possible.
Sterling Allen: TWEEN at Neue Welt, Nashville
Margaret Jane Joffrion reviews the visual games of telephone found in Sterling Allen: TWEEN at Neue Welt, Nashville.
