Good Luck Jules by Jules Jackson at COOP Gallery, Nashville
Margaret Jane Joffrion reviews the autobiographical nature and recurring motif of the sac found throughout the work of Jules Jackson in Good Luck Jules at COOP Gallery, Nashville.
Margaret Jane Joffrion reviews the autobiographical nature and recurring motif of the sac found throughout the work of Jules Jackson in Good Luck Jules at COOP Gallery, Nashville.
Robert Alan Grand discusses the queer joy radiating out of David Gilbert: Flutter at the North Carolina Museum of Art, Winston-Salem.
E.C. Flamming reviews the psychological effects of color and happy surprises found in Judy Pfaff: A Walk in the Park at Johnson Lowe Gallery, Atlanta.
Emily Alesandrini reviews the ecosystems found within the work of Ron Bechet and Hannah Chalew in You Can’t Hide the Sun at Other Plans, New Orleans.
Sophia Mason reviews the grid-like explorations of plants and descriptive cultural motifs by Erin Harmon and Kong Wee Pang in The Real & Imagined at Sheet Cake Gallery, Memphis.
Emily Shiffer reviews Elisa Harkins’ glimmering exhibition Teach Me A Song at the Halsey Institute of Contemporary Art, Charleston.
Hannah Spears reviews the fragile archives and reclaimed lands found in Elizabeth M. Webb: a bearing tree is a witness; an oak is an echo at the Jule Collins Smith Museum of Fine Art at Auburn University, Auburn.
Nikki Cormaci reviews the lives and portraits of huntresses found in SISTERS OF THE HUNT at NUNU Arts and Culture Collective, Arnaudville.
Quinn Foster reviews the language immersion and multilingual artworks found in Mitoloji Latannyèr | Mythologies Louisianaises at Capitol Park Museum, Baton Rouge.