Jayne County’s Electric Dreams at Emory University’s Visual Arts Gallery, Atlanta
Jackson Markovic reviews the technicolor processing of the psyche in Jayne County’s Electric Dreams at Emory University’s Visual Arts Gallery, Atlanta.
Jackson Markovic reviews the technicolor processing of the psyche in Jayne County’s Electric Dreams at Emory University’s Visual Arts Gallery, Atlanta.
Whitney Washington reviews the disarticulation and dream world created by John Paul Kesling in his solo exhibition Lean-To at Lowe Mill ARTS & Entertainment, Huntsville.
Zeny May Recidoro reviews Njeri Kinuthia’s exhibition Ukombozi: Reclaiming Place and Self, an homage to her Kenyan homeland, and to her self, currently on view at the Dale Mabry Gallery, Tampa.
Dr. Allison K. Young reviews the serene and sacred practice of Cristina Molina in her solo exhibition Tell it to the River at Other Plans, New Orleans.
Lindsey Cummins reviews the multimodal assemblages by Hannah Smith in her solo exhibition Fool’s Gold at Houseguest Gallery, Louisville.
Noah Reyes reviews You’re The Man Now, Dog, a comedic exhibition by Matthew Flores at Cleo the Project Space, Savannah.
Noah Simblist reviews the multitude of abstraction’s meanings and uses in Beyond the Frame: Abstraction Reconstructed, a Two-Person Exhibition Featuring Denzil Hurley and Reginald Sylvester II at CANADA, New York
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi’s 1,001,532 CE and Didier William’s Gesture to Home for Prospect.6, New Orleans.
Isabella Marie Garcia reviews the distillations of nature and visual ekphrasis located throughout the installations in Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida International University, Miami.