Installation view of Residual Dwelling at Wavelength Space, Chattanooga. All images courtesy of the artists and Wavelength Space.
ADVERTISEMENT
Raquel Mullins, Passage through the SacredWindow (studio view during the full corn moon), 2021; chalk paint, conte, acrylic on cotton, 22 X 28 inches.
Rachael Zur, Lyre, 2019; painting plaster, corrugated plastic, acrylic, spray paint, resin, mica pigment, 17 x 20 x ½ inches.
905 Second Street
in the shed, crooked nails left to be hammered out tell me of that person’s life during the Great Depression
I found a wooden block in there with “be my valentine” carved on it I kept it, because its clumsiness felt familiar
under the house my husband found a gas pipe plugged with a wine cork I guess this is how people solve problems
when I painted over the wallpaper in the bedroom I could see that there was a second layer of wallpaper beneath it
our relationship with homes is symbiotic the building shelters our bodies, and we slow the house’s demise which comes long after us
from the accompanying exhibition text by Rachael Zur
ADVERTISEMENT
Victoria Sauer, NightscapeI, 2018; oil on panel, 20 x 25 inches.
Installation view of Residual Dwelling at Wavelength Space, Chattanooga.
Raquel Mullins, top left: Home, top right: Basement of the White Mansion, bottom left: Ivy’s House, bottom right: trailer with two eighteen year olds; mixed media on paper, 9.5 x 12 inches each.
ADVERTISEMENT
Laura Drey, Yielding Identity, 2019; hand-woven cotton, acrylic, and polypropylene bag with printed label, 26 x 20 inches.
Victoria Sauer, Night House, 2020; oil on canvas, 35 x 50 inxhes.
Rachael Zur, Untitled (Living Room Circa 1970), 2019; painting plaster, corrugated plastic, acrylic, spray paint, fabric, 32 ½ x 29 x ¼ inches.
Residual Dwelling is on view at Wavelength Space in Chattanooga through May 14, 2021.
Heather Bird Harris reviews Mona Bozorgi and Tokie Rome-Taylor’s dialogue of alternative image-making in from within, so together at Swan Coach House Gallery, Atlanta.
In October’s co-publishing initiative with Oxford American, Lauren Stroh contextualizes The Angolite, the Southern penal press in the era of mass incarceration.
To close out the 2025 Mood Ring cycle, Annie Blazejack and Geddes Levenson present Carolina Potions, an interactive potion recipe game that pulls together hand-painted ingredients from the South as an ode to Durham, North Carolina.
Subscribe to BurnawaySign up to recieve the Burnaway newsletter and get notified about upcoming events and opportunities.* required field
