Call for Artists: May 2024
Our monthly round of opportunities includes a critical arts writing grant, arts access mini grants in Tennessee, and applications for ceramics and woodworking residencies in Winston-Salem, North Carolina.
BA DAILY
Cora Nimtz: Unlikely Hunter at The Aquarium Gallery and Studio, New Orleans
Virginia Walcott reviews the Southern traditions, stereotypes, and romanticism found in the assemblages of Cora Nimtz: Unlikely Hunter at The Aquarium Gallery and Studio, New Orleans.
Vera B. Williams / STORIES at the Black Mountain College Museum + Arts Center, Asheville
Topher Lineberry reviews Vera B. William / STORIES at the Black Mountain College Museum + Arts Center, Asheville.
Kevin Ford: Ids of March at Tops Gallery, Memphis
Maria Owen reviews the playful invitations found in Kevin Ford’s Ids of March at Tops Gallery, Memphis.
In the Studio with Chayse Sampy
Amarie Gipson visits mixed-media artist Chayse Sampy in her shared studio in Downtown Houston to discuss living in the South, Afro-surrealism, and the color blue.
A Landscaped Longed For: The Garden as Disturbance at the Crisp-Ellert Art Museum, St. Augustine
Christopher Stephen reviews the visual metaphors of the garden found in A Landscape Longed For: The Garden as Disturbance at the Crisp-Ellert Art Museum, St. Augustine.
As for me, I’m just passing through this planet at Bad Water, Knoxville
Harrison Wayne reviews the entangled sculptures and taxidermic specimens found in As for me, I’m just passing through this planet at Bad Water, Knoxville.
Orchid Daze by Lillian Blades at the Atlanta Botanical Gardens
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
Everyday Love by Richard Dial at Institute 193, Lexington
Daniel Fuller reviews the crafted metal chairs reflecting tenderness and the human condition in Everyday Love by Richard Dial at Institute 193, Lexington.
