In Defense of Subtlety
In a letter to the editor, writer and curator Robert Grand responds to Sara Estes's review of Jodi Hays's recent exhibition God Sees Through Houses in Nashville.
Robert Grand is a writer and curator based in Queens, NY. His writings have appeared in Afterimage: The Journal of Media Arts and Cultural Criticism, Artspace Magazine, and Natasha, among others. He is also the co-director and co-founder of Kimberly-Klark, an interdisciplinary project space located in Queens, NY.