In Defense of Subtlety
In a letter to the editor, writer and curator Robert Grand responds to Sara Estes's review of Jodi Hays's recent exhibition God Sees Through Houses in Nashville.
Robert Grand
Robert Grand is a writer and curator based in Queens, NY. His writings have appeared in Afterimage: The Journal of Media Arts and Cultural Criticism, Artspace Magazine, and Natasha, among others. He is also the co-director and co-founder of Kimberly-Klark, an interdisciplinary project space located in Queens, NY.
Articles (2)
Against Subtlety: Jodi Hays in Nashville
In her exhibition “God Sees Through Houses,” on view from August 27 through October 18, Nashville-based painter Jodi Hays displayed a new body of work at Lipscomb University’s recently relocated Hutcheson Gallery. Comprised of framed drawings and large- and small-scale oil paintings, the work was created during the crisis of family separations at the US-Mexico border created … Continued