Catherine Rush finds compelling artworks but an anachronistic and reductive vision of gender in the group exhibition “She is Here” at Atlanta Contemporary.
Reviews
Leia Genis considers “Get Well Soon,” a digital project documenting well wishes on crowdfunding websites, hosted by Dimensions Variable in Miami.
Emily Llamazales considers speed and ferocity in Wilay Méndez Paez’s “Collision” at Day & Night Projects in Atlanta.
Kayla Goggin finds visual unity but a lack of tension in the group exhibition “3-Sided Square” at Marcia Wood Gallery in Atlanta.
Paul Michael Brown reviews “Loose Nuts: Bert Hurley’s West End Story” at the Speed Art Museum in Louisville, Kentucky.
Art Review, Feature
Bugs in the System: Institute for Queer Ecology’s “Metamorphosis”
Aug 18, 2020 0
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Rahel Aima finds poetic provocations but a lack of coherency in a four-part video series by the Institute for Queer Ecology.
Joe Nolan reviews Beizar Aradini’s recently closed exhibition “Mashallah, Mashallah, Mashallah” at The Electric Shed in Nashville.
Logan Lockner reviews “Parallel,” a group exhibition curated by Teresa Bramlette Reeves at Whitespace in Atlanta.
Daniel Fuller considers the elaborately crafted, customized caskets—known as abeduu adekai, or “proverb boxes”—created by Ghanaian artist Paa Joe.
Artist Joel Dean reviews a solo exhibition by Brandon Ndife, considering what it means to view art during global catastrophe.
Joe Nolan reviews a group exhibition in Nashville that offers a range of contemporary artists’ interpretations of Aesop’s fables.
Jennifer R. Bernstein considers an exhibition in Beauford Delaney’s hometown of Knoxville focused on the artist’s relationship with James Baldwin.
Margaret Jane Joffrion visits a bygone internet era through an exhibition of code-based artworks at Unrequited Leisure, Nashville.
Yves Jeffcoat reviews Masud Olufani’s solo exhibition “Translocation & Transfiguration” at Hammonds House Museum in Atlanta.
Anna Nelson Daniel reviews the Georgia edition of an exhibition of works on paper by women artists who are being considered to represent the state in a national survey.
Artist Caleb Jamel Brown reviews two exhibitions at the Zuckerman Museum of Art exploring Black artists’ revolutionary approaches to abstraction.
Donna Mintz reviews an exhibition highlighting the contributions and legacies of the women who studied and taught at Black Mountain College, including Ruth Asawa, Anni Albers, and lesser-known artists.
Kate Averett navigates the fractured landscapes of social media and digital life in an exhibition presented by Tiger Strikes Asteroid Greenville.
