Ade J. Omotosho responds to a video by artist Terence Price II with a meditation on photography and time, family archives, and the voice of the matriarch.
In her retrospective in Miami, the Colombian artist Beatriz González bears witness to the harsh realities of corruption and civil warfare with a critical yet playful approach.
In “Cantos” at MFA St. Petersburg, the late Florida artist Theo Wujcik enters Dante’s “Inferno” by way of Tampa’s post-industrial punk landscape in paintings from the 1980s and 90s.
In his first solo exhibition in the United States, South African artist Wim Botha ambivalently embraces and destroys Western art historical iconography.
In a group exhibition in New Orleans, eight women artists confront and reconfigure the largely white, male histories of Modernism.
Two scholars of Black culture offer close readings of paintings by Amy Sherald currently on view in her solo exhibition at the Spelman College Museum of Fine Art.
Artists respond to poems by Nashville-based artist Patrick DeGuira in a group exhibition advancing ecocentric ways of seeing and thinking about nature.
Noah Rawlings reviews an exhibition at Marcia Wood Gallery in Atlanta that brings together a group of paintings and drawings about the “bed.”
C. Klockner reviews Women’s History Museum’s Biennial Poupées Gonflabes at Springsteen Gallery in Baltimore.
Travis Diehl’s reviews Athens-based painter Ridley Howard’s recent exhibition at Night Gallery featuring a new body of work.
Sarah Emerson’s new world is as brightly apocalyptic as ever at whitespace gallery in Atlanta.
Artist Karen Tauches visits the unmapped highways and rural south in Way Out There: The Art of the Southern Back Roads now on view at the High.
Tennesseean Laura Craig McNellis’ meditations make the ordinary extraordinary at Shrine Gallery in New York.
Atlanta-based artist Sarah Hobbs has been creating complex psychological installations for her photographs for the last decade.
Judy Chicago’s name is synonymous with feminist art of the 1970’s. Her solo exhibition at ICA Miami demonstrates why her work still resonates 50 years later.
Christina Renfer Vogel explores Athens-based artist Vivian Liddell’s new body of work in “Men” which explores notions of Southern masculinity at Versa, TN.
En su retrospectiva actual en MOCA GA en Atlanta, la artista Rocío Rodríguez presenta cuadros de los últimos treinta años. Leer una reseña por escritor TK Smith, en español e inglés.
In new paintings on view in Nashville, artist Eleanor Aldrich combines a variety of materials to create impressions of pinched and protruding flesh. Read BA contributor Melinda Baker’s review.
