Collage and (In)Visible Histories: Kandis Williams at ICA VCU
Haley Clouser examines the agricultural labor, horticulture, and Blackness entrenched in the work of Kandis Williams at ICA at VCU.
Haley Clouser examines the agricultural labor, horticulture, and Blackness entrenched in the work of Kandis Williams at ICA at VCU.
Burnaway takes a close look at a recent group exhibition at 1708 Gallery in Richmond.
In Richmond, Maura Callahan considers the curatorial ambitions and institutional contradictions framing Commonwealth, a group exhibition at the ICA at VCU that examines the intertwined colonial histories of Virginia, Pennsylvania, and Puerto Rico.
Burnaway takes a close at the Octavia Butler-inspired exhibition Xenogenesis from the collective the Otolith Group at ICA at VCU.
Burnaway takes a close look at the work of Ethopian-born photographer Dawit N.M. at the Chrysler Museum of Art in Norfolk.
Contributor Coco Klockner considers echoes across time between residents of the same Richmond house in Corin Hewitt’s exhibition split between his home studio and the ICA.
BA contributor C Klockner sees anxiety and ambivalence beneath the candy-colored surfaces of Andrew Woolbright’s hybrid creations in his solo exhibition “Expresso Your Depresso.”
Burnaway celebrates the life and artistic legacy of the late Virginia-based artist, Mavis Pusey, whose abstract prints and paintings are widely acclaimed.
In advance the opening of her solo exhibition in Richmond, California-based multidisciplinary artist Cauleen Smith speaks with BA about combining research methods and improvisation in her work.