Elvis’s Soundtrack Songs: The Best of the Worst
In the initial release of Burnaway’s co-publishing initiative with Oxford American, Elena Passarello traverses one of the most important bootlegs in music history.
Tennessee (9)
In my universe i’ll live forever
Kelsie Conley reiterates the writing on the walls at The Pilot Light, an experimental venue in Knoxville, Tennessee for the next iteration of the Annotations column.
The Fourth Estate at Zeitgeist Gallery, Nashville
Joe Nolan reviews the homage to local print newspaper industries in Jeremiah Ariaz’s The Fourth Estate at Zeitgeist Gallery, Nashville.
In the Studio with Brett Douglas Hunter
Sarah Carter speaks with Nashville-based artist Brett Douglas Hunter on returning to smaller works and the wild, wonderful figures found in his solo show Cryptids and Crinoids at Elephant Gallery, Nashville.
Elly Reitman: energy at Bad Water, Knoxville
Maria Owen reviews sensory exchange and the study of constant movement as found in Elly Reitman’s energy at Bad Water, Knoxville.
Bless Your Heart at 123 West Main Gallery, Johnson City
Robert Alan Grand reviews the photographic interpretations of Appalachian sensibilities found in Bless Your Heart at 123 West Main Gallery, Johnson City.
Good Luck Jules by Jules Jackson at COOP Gallery, Nashville
Margaret Jane Joffrion reviews the autobiographical nature and recurring motif of the sac found throughout the work of Jules Jackson in Good Luck Jules at COOP Gallery, Nashville.
The Real & Imagined, Sheet Cake Gallery, Memphis
Sophia Mason reviews the grid-like explorations of plants and descriptive cultural motifs by Erin Harmon and Kong Wee Pang in The Real & Imagined at Sheet Cake Gallery, Memphis.
In Conversation with Kristine Potter
Jennifer Dudley speaks with photographer Kristine Potter on mediums, a green curtain, and the variety within Kristine Potter: Dark Waters , on view at The Momentary in Bentonville, AK until October 11.
