Paradise at Stove Works in Chattanooga
Amber Hickey reviews the joyful resistance in Paradise, a group exhibition highlighting queer Southern art at Stove Works, Chattanooga.
Tennessee (9)
Concrete Ties: Cuban Architecture, Memory, and the Afterlives of Solidarity
Looking at the work of Carlos Garaicoa, and the architectural exhibition Prefabricating Solidarity at Vanderbilt University’s Engine for Art, Democracy & Justice, Alexandra Martinez traces the lived history of postcolonial Cuban architecture.
‘Sweet Lilly-Marie’ by Marlos E’van – A Burnaway Artist Edition
Burnaway is excited to announce ‘Sweet Lilly-Marie’, our next Artist Edition by Nashville and New York-based artist Marlos E’van.
In Conversation with Marlos E’van
Justin Chance sits down with New York City-based artist Marlos E’van to discuss the roles of mentorship and references in E’van’s work, alongside their art object for Burnaway’s fourth Artist Edition.
The Body is a Drum, The Voice a Song, The Soul a Fire at the Knoxville Museum of Art, Knoxville
Amber Hickey reviews the line treaded between art and activism in The Body is a Drum, The Voice a Song, The Soul a Fire at the Knoxville Museum of Art, Knoxville.
A Curator’s Annotations
For the next iteration of the Annotations column, Grace Aneiza Ali reflects on her belief about curating as a space of listening through the form of titles, installations, public programs, the artist’s words, and exhibition catalogs.
a phantom homeland / a concrete fantasy
Courtney McClellan considers the restorative nostalgia and illusive construction of the Parthenon in Nashville, Tenneessee in our next theme release for SIREN.
Tommy Kha: Leftovers at Higher Pictures, Brooklyn
Madeleine Seidel reviews the symbolic feast for the dead in Tommy Kha: Leftovers at Higher Pictures, Brooklyn.
In Conversation with Courtney McClellan, Grace Aneiza Ali, and Natalie Willis Whylly
Courtney McClellan, Grace Aneiza Ali, and Natalie Willis Whylly speak in conversation with one another on the American South as a migratory space, cultural remittances, and allowing for sentimentality in one’s work.
