Anonymous: The Fourth Sister
In our next GHOST theme feature, Colony Little details the process of remembering and re-remembering in The Wilde Woman of Aiken, a photograph taken in South Carolina.
South Carolina (9)
“A Different Approach to Pride”: The Third Annual Queer Arts Initiative Showcase at Good Art Co., Greenville
Angie Toole Thompson reviews The Third Annual Queer Arts Initiative Showcase at Good Art Co. in Greenville, South Carolina—an exhibition that holds feelings of joy, humor, horror, and rage in balance–alongside an unbeatable determination to thrive.
The Stark Impact of Water: Photographer Jared Bramblett and the Mean High Water Project
Charleston writer Chloe Hogan interviews photographer and engineer Jared Bramblett, who documents the impacts of sea level rise and flooding in the South Carolina Lowcountry.
Jasmine Best: Buried the Roots for Now at Tiger Strikes Asteroid, Greenville
Robert Alan Grand reviews Jasmine Best’s South Carolina exhibition tackling the whitewashing of Black property, history, culture, and influence from the American South at Tiger Strikes Asteroid, Greenville.
Annotation as Inscription as Graffiti
In our debut feature of the new Annotations column, Ryan Christopher Clarke details the history of annotation in Black communities, coded language in vinyl engravings, and underground resistance found through techno and fugitive strategies of communication.
In the Studio with Jeremy R. Brooks
Alyssa Velazquez visits the Conway-based studio of Jeremy R. Brooks to talk about elastic clay, kink, and the sensuality behind crocheting and ceramics.
A Blue Haunting: Between the Caribbean and the Carolinas at Tern Gallery, Nassau
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Elisa Harkins: Teach Me A Song at the Halsey Institute of Contemporary Art, Charleston
Emily Shiffer reviews Elisa Harkins’ glimmering exhibition Teach Me A Song at the Halsey Institute of Contemporary Art, Charleston.
The Incredulity of Jacolby Satterwhite
In April’s Art21 x Burnaway feature, we enter and explore the resurrection, rebirth, and regenerative quality of Jacolby Satterwhite’s virtual worlds.
