In this Oolite x BA review, Miami artist Cara Despain communicates dreadful trepidation towards the calamities that capital has inflicted upon our planet with extraordinary power in Specter her new presentation at the Bass Museum in Miami Beach.
Upon entering Deering Estate’s illuminated nightscape, guests were greeted with a survey of from the Department of Reflection. They asked “How do you feel about climate change?” If you didn’t answer “alarmed” at the start of the night, you certainly would by night’s end.
The bedrock of Miami, called Miami limestone or Miami oolite, is an accumulation of corals and other organic debris. In this theme story, Monica Uszerowicz profiles Coral Morphologic, a collaborative duo dedicated to the study, preservation, and artistic presentation of Miami’s corals.
In a review of Radical Conventions at the Lowe Museum of Art, Ivanna Rodríguez-Rojas digs into the complex nature of Cubanidad in 1980’s Miami.
Embedded within the Caribbean diasporic imagination, Kathia St. Hilaire’s mural, The Pilgrimage of the Soul, reveals a celestial reunion in Downtown Miami.
Sergy Odiduro visits Memories at Pan American Art Projects in Miami.
Burnaway staff celebrates the month of April with a list of our favorite organizations, BA stories, albums, artists, films, books, and events for Earth Day.
Burnaway’s monthly news roundup includes Oolite Arts new Miami home, ICA Chattanooga’s innovative approach to brand identity and website design, and the announcement of the New Orleans Film Society’s 2022 Southern Producers Lab fellows.
Folasade Ologundudu considers the ceramic work of Donté Hayes at Mindy Solomon Gallery, Miami.
