Turn of the Tide: Zilia Sánchez at the Institute of Contemporary Art, Miami
Karla Méndez reviews “Zilia Sánchez: Topologías/Topologies” at the Institute of Contemporary Art, Miami—a survey show featuring Sánchez’s work from 1950-1996.
Karla Méndez reviews “Zilia Sánchez: Topologías/Topologies” at the Institute of Contemporary Art, Miami—a survey show featuring Sánchez’s work from 1950-1996.
In this Knock Knock feature, Carolina Ana Drake reflects on the loss of loved ones to cancer, and the creative-making process of artists who carry this grief.
Isabella Marie Garcia investigates the deeply personal impact in Miami-Dade County of the more than $32 million in arts and culture 2024-2025 fiscal funding vetoed for Florida-based organizations.
Douglas Markowitz reviews the migratory patterns of snowbirds and preconceptions towards Florida found in Florida Room No. 3: Snow Birds at KDR, Miami.
Rob Goyanes reminisces on a boat ride along the Miami River and a retrospective on artist-run collective the end / SPRING BREAK at [NAME], Miami.
Douglas Markowitz reviews the two-part curatorial visions found in Haunted I and Haunted II at Voloshyn Gallery, Miami.
Carolina Ana Drake speaks with Haitian-American artist Laetitia Adam Rabel about motherhood, Black mermaids, and mysticism.
Alexandra Martinez dissects the international video artists exploring the interdependence of nature and technology found in Sea Change at the Pérez Art Museum, Miami.
Carolina Ana Drake highlights the local legacies of Miami women artists in Women’s Voices: A Journey Through Miami’s Art History at Miami-Dade Public Library Central Branch, Miami.