Labor and Belief in Luna Palazzolo-Daboul’s Artworks
Mario Andrés Rodriguez profiles the industrial, yet tender work of Miami-based artist Luna Palazzolo-Daboul.
Mario Andrés Rodriguez profiles the industrial, yet tender work of Miami-based artist Luna Palazzolo-Daboul.
In this conversation for STORM SIGNAL, Alexandra Martinez and Miami-based artist Sterling Rook discuss familial stories of survival and visual ambiguity in the artist’s spring 2026 exhibition, Shupingagua, at Tunnel Projects in Miami.
Francess Archer Dunbar reviews explorations of distortion in Fharid LaTorre and Jamieson Pearl’s artworks in QUEUE Gallery’s Evidence of Evolution exhibition, Miami.
Amina Daugherty covers Columbus-based, Miami-born Akeylah Wellington’s explorations of childhood memories, belonging, and “femme-ing” of politics in her woven artworks.
Isabella Marie Garcia analyzes privilege and representation as they relate to depictions of Lucumí and Abakuá spirituality in Cuban art and within Miami museum exhibitions featuring the work of Belkis Ayón and Elliot & Erick Jiménez.
Francess Archer Dunbar writes about Miami-based artist Reginald O’Neal’s homage to Rainbow Village, a now demolished housing development in Overtown, and the work of arts organization Commissioner.
Amanda Bradley visits the studio of South Florida-based artist Nathalie Alfonso to discuss her process of creating site-specific, temporal installations that center labor and ephemerality.
Alexandra Martinez highlights See It Like a Native, a home-based exhibition in the Spring Garden neighborhood of Miami that models itself as an alternative infrastructure for artists.
Burnaway is delighted to continue our tradition of elevating Southern artists by partnering with Sheet Cake Gallery on a solo exhibition of work by Clare Torina at NADA Miami from December 2-6.