ENID 2026: Generations of Women Sculptors at the KMAC Museum, Louisville
Burnaway takes a close look at ENID 2026: Generations of Women Sculptors at KMAC Museum, Louisville.
Burnaway takes a close look at ENID 2026: Generations of Women Sculptors at KMAC Museum, Louisville.
Natalie Weis reviews Thaniel Ion Lee’s text-based installation in Thaniel Ion Lee: Six Small Works and a Statement at Louisville Visual Art, Louisville.
Lindsey Cummins reviews the tug of war between the digital public and personal breadcrumbs found in Matrilineal at Couchpotato Gallery, Louisville.
Burnaway takes a close look at where the rivers run muddy and the mountains are bare: The 2025 KMAC Triennial at KMAC Contemporary Art Museum, Louisville.
For the March edition of Burnaway’s co-publishing with Oxford American, Ian Carstens pays tribute to the now closed Ruckus Journal, an independent arts journal based out of Louisville, Kentucky.
Lindsey Cummins reviews the multimodal assemblages by Hannah Smith in her solo exhibition Fool’s Gold at Houseguest Gallery, Louisville.
Burnaway takes a close look at Current Speed: Kathia St. Hilaire – Invisible Empires at the Speed Art Museum in Louisville, Kentucky.
Maria Owen visits the Louisville studio of Kiah Celeste to discuss the repurposing of discarded synthetic materials and organic forms across her work.
Rounding out a series of intimate conversations, Jodie Bass profiles and visits the studio of Letitia Quesenberry, a Louisville-based artist who extends the boundaries of visual perception.