Matrilineal at Couchpotato Gallery, Louisville
Lindsey Cummins reviews the tug of war between the digital public and personal breadcrumbs found in Matrilineal at Couchpotato Gallery, Louisville.
Louisville (9)
where the rivers run muddy and the mountains are bare: The 2025 KMAC Triennial at KMAC Contemporary Art Museum, Louisville
Burnaway takes a close look at where the rivers run muddy and the mountains are bare: The 2025 KMAC Triennial at KMAC Contemporary Art Museum, Louisville.
A Quiet Ruckus: Community Reflections on Now Closed Louisville Publication
For the March edition of Burnaway’s co-publishing with Oxford American, Ian Carstens pays tribute to the now closed Ruckus Journal, an independent arts journal based out of Louisville, Kentucky.
Fool’s Gold at Houseguest Gallery, Louisville
Lindsey Cummins reviews the multimodal assemblages by Hannah Smith in her solo exhibition Fool’s Gold at Houseguest Gallery, Louisville.
Current Speed: Kathia St. Hilaire – Invisible Empires at Speed Art Museum, Louisville
Burnaway takes a close look at Current Speed: Kathia St. Hilaire – Invisible Empires at the Speed Art Museum in Louisville, Kentucky.
In the Studio with Kiah Celeste
Maria Owen visits the Louisville studio of Kiah Celeste to discuss the repurposing of discarded synthetic materials and organic forms across her work.
In the studio with Letitia Quesenberry
Rounding out a series of intimate conversations, Jodie Bass profiles and visits the studio of Letitia Quesenberry, a Louisville-based artist who extends the boundaries of visual perception.
New Layers of Meaning: In Conversation with Sanford Biggers
Natalie Weis interviews Sanford Biggers about his current exhibition at the Speed Museum in Louisville. They discuss L.A. graffiti, Southern vernacular, and code-switching.
Catalog: New Work by the Printmakers Left at Hite Art Institute, Louisville
Burnaway takes a close look at Catalog: New Work by the Printmakers Left a group exhibition at the Hite Art Institute in Louisville.
