the end is near, the end is the beginning at SITE, The Goat Farm, Atlanta
Ifeanyi Awachie reviews the site-specific installation of the end is near, the end is the beginning during Atlanta Art Week 2024 at SITE, The Goat Farm, Atlanta.
Ifeanyi Awachie reviews the site-specific installation of the end is near, the end is the beginning during Atlanta Art Week 2024 at SITE, The Goat Farm, Atlanta.
Amelia Parenteau speaks with Rachel Parish and Sarah Cameron Sunde on Atlanta to the Atlantic, a Flux Projects commission intended to increase awareness of the South River in Atlanta.
Isabella Marie Garcia reviews the accumulation of flowers and their significance across the selection of works found in Weight at Hawkins Headquarters, Atlanta.
Bryn Evans meets with photographer Tyler Mitchell to speak on the Southern Black imaginary and scenes found in his solo exhibition, Idyllic Space, at the High Museum of Art, Atlanta.
Noah Reyes reviews the visual whiplash to be found in the mixed media collages of Candace Caston’s Night Vision at Tennessee Gallery, Atlanta.
E.C. Flamming reviews the renderings of road trips taken between a mother and her children in Namwon Choi: 248 Miles at the Museum of Contemporary Art of Georgia, Atlanta.
Thalia Butts reviews the testimony of quilts found in Patterns in Abstraction: Black Quilts from the High’s Collection at the High Museum of Art, Atlanta.
E.C. Flamming interviews Atlanta-based artist Andrew Lyman as part of Burnaway’s theme series CRUSH, where they discuss intimacy, his entry point into photography, and crushing on your friend group.
Elizabeth Withers visits the Atlanta-based studio of Liz Whalen to speak about her familial lineage in textile work and the freedom of felt as a medium.