For our next iteration of the Annotations column, Andrew Westover converses with Dr. Gautham Reddy, a Hindu scholar and Emory University’s South Asian Studies Librarian, about one of St. EOM’s sculptures.
Burnaway announces Book//Zine, our first annual art book and zine fair. Book//Zine will be in Atlanta at The Goat Farm on October 11, 2025.
Noah Reyes reviews You’re The Man Now, Dog, a comedic exhibition by Matthew Flores at Cleo the Project Space, Savannah.
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
Randi Evans looks back and into the archive of glo, an Atlanta-based dance collective, and the performance work of its founder, lauri stallings.
Nadia Scott reflects on the teaching practice of Benny Andrews, originally born in Georgia, who instructed with the Prison Arts Program in at the Manhattan House of Detention in New York City.
Amina Daugherty visits the studio of Atlanta-based artist Chechi Udumah, speaking on the her layered creative process, surrealism, and the weight of proverbs.
Haley Clouser interviews Le’Andra LeSeur on her film Monumental Eternal (2024), the visceral experiences at Stone Mountain in Georgia, and her solo exhibition at Pioneer Works, Brooklyn.
Claire Dempster reviews the materially rich rainbow and re-contextualization of garments in Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation at Zuckerman Museum of Art, Kennesaw.
