Orchid Daze by Lillian Blades at the Atlanta Botanical Gardens
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
Blake Belcher reviews Atlanta-based Bahamian artist Lillian Blades’ new work engaging orchids, transplantation, and diaspora at the Atlanta Botanical Garden.
Burnaway’s fifth annual reader release party is at Banshee on the evening of March 19th – come join us!
Annie Moye traverses the out-of-the-way places found in the photographs and quilt works of Amanda Greene in Her Fragrance Is Still Among Us at the Hudgens Center for Art and Learning, Duluth.
Jennifer Dudley visits the East Atlanta studio of artist Erin Hamm to talk about reinvention, curiosity towards choreography, and the process of truly listening.
Madeleine Seidel reviews the absence of boundaries and geography found in the collective of Atlanta artists on view in The sea swept the sandcastles away. (To wake up in Atlanta!) at MARCH, New York.
Bryn Evans reviews the communal gestures and commitment to craft and kin found in Sonya Clark: We Are Each Other at the High Museum of Art, Atlanta.
Jackson Markovic sits and speaks with Atlanta-based artist Erik Thurmond on his pop music alias Pasquale and the visibility of audience agency, pop structures, and mysticism.
Thalia Butts visits the Atlanta-based studio of mixed media artist Demetri Burke, speaking on the value of traveling and the weight of legacy.
Daniel Fuller reviews the delicate vulnerability of the subject matters and materials found in Tyler Mitchell: Domestic Imaginaries at the SCAD Museum of Art, Savannah.