Progeny of Petals: On the Florals of Leah Jaynes Karp
Leah Solomon outlines artist Leah Jaynes Karp’s 1982 mixed media series, made in response to the Atlanta Child Murders of 1979-1981, for Burnaway’s STORM SIGNAL theme.
Leah Solomon outlines artist Leah Jaynes Karp’s 1982 mixed media series, made in response to the Atlanta Child Murders of 1979-1981, for Burnaway’s STORM SIGNAL theme.
Annie Moye writes about the environmental and communal ethics of artist Yvette Gunn, whose sculptural practice of building birdhouses in her garden honors the natural world.
Bryn Evans joins Marguerite (Margy) Adams and Joslyn Gardner—the cofounders of Emory University’s Black Feminist Working Group—to discuss The Ballad of Suzanne Césaire (2024) and the film’s engagement with sound and camouflage.
Amina Daugherty visits the Atlanta studio of Jasmine Nicole Wiliams to discuss the printmaker’s kinship with Suzanne Césaire and her radical vision for cultural liberation.
Daniel Fuller reviews Edmonia Lewis: Said in Stone, the first major retrospective devoted to the artist, on view at the Georgia Museum of Art, Athens.
For our next Annotations column, Craig Drennen presents Timon of Athens, an interactive guide featuring individual bodies of work that respond to the characters found in Shakespeare’s play.
E.C. Flamming reviews Julia Roland’s vibrant portraits in A Seat at the Table, on view at the Telfair Museums in Savannah, Georgia.
E.C. Flamming visits Rock City in Lookout Mountain, Georgia for Burnaway’s SAWTOOTH STAR theme.
Thalia Butts reviews Gordon Parks’ tender images of Black communities in the segregated South on view in the exhibition, Gordon Parks: The South in Color at Jackson Fine Art, Atlanta.