Noah Reyes reviews the archival and contemporary reunion of family found in the photographs of Brayan Enriquez: Like Hills Made of Sand at Atlanta Center for Photography, Atlanta.
Amina Daugherty reviews what it means to be free in the late life and work of Georgia-based artist Nellie Mae Rowe, currently on view in Really Free: The Radical Art of Nellie Mae Rowe at California African American Museum, Los Angeles.
Anna Nelson-Daniel reviews Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah.
Tyra Douyon visits the studio of Tim Short, a narrative painter based in Stone Mountain, Georgia, to speak on the imaginative and metaphysical iconography tied to Blackness.
Christal Reese visits the Atlanta-based studio of Honey Pierre to speak on the medium of punch needle, replanting oneself, and reclaiming rest.
E.C. Flamming visits the Atlanta-based studio of Kole Nichols to discuss the value of embracing imperfections and the pathway between spaces.
Jackson Markovic reviews the technicolor processing of the psyche in Jayne County’s Electric Dreams at Emory University’s Visual Arts Gallery, Atlanta.
Daniel Fuller unravels the fantastical world of Jiha Moon, where Korean and American culture meet in tension, bound by a spiritual ribbon.
For the April co-publishing feature with Oxford American, Thalia Butts pays tribute to the late Marquetta Johnson, a quilter based in Atlanta who compared her practice to jazz and inspired her students to stretch the boundaries of quilting as a medium.
