“Going nowhere fast”: Negotiating cinema nostalgia in The Loveless (1981)
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
Randi Evans looks back and into the archive of glo, an Atlanta-based dance collective, and the performance work of its founder, lauri stallings.
Nadia Scott reflects on the teaching practice of Benny Andrews, originally born in Georgia, who instructed with the Prison Arts Program in at the Manhattan House of Detention in New York City.
Amina Daugherty visits the studio of Atlanta-based artist Chechi Udumah, speaking on the her layered creative process, surrealism, and the weight of proverbs.
Haley Clouser interviews Le’Andra LeSeur on her film Monumental Eternal (2024), the visceral experiences at Stone Mountain in Georgia, and her solo exhibition at Pioneer Works, Brooklyn.
Claire Dempster reviews the materially rich rainbow and re-contextualization of garments in Jeffrey Gibson: They Teach Love, From the Collections of Jordan D. Schnitzer and His Family Foundation at Zuckerman Museum of Art, Kennesaw.
Painting from an image archive and the physical selves around onself, Jane Marchant speaks with Atlanta-based artist Aineki Traverso on the idea of the lens and the immediacy that rises from her work.
Carlos Nunez reviews the invisible data and material preservation found in Rose Salane’s Fission or, Eclipse at The Athenaeum at the University of Georgia, Athens.
Noah Reyes reviews the ripped layers of time and fabric alongside the expansive works on view in Cosmo Whyte: The Sea Urchin Can’t Swim: Tales from the Edge of a World at Johnson Lowe Gallery, Atlanta.