If the single criterion for a successful show were the quality of its images, Dawoud Bey’s The Birmingham Project would certainly fulfill that test. Bey, after numerous visits over the years to Birmingham with a desire to create a project there, worked through various community and religious organizations to arrange to photograph 32 sitters—boys and girls the ages of the six children who died in Birmingham on September 15, 1963, and adults who are the ages those children would have been today