In Conversation with Holland Hopson
Noah Reyes speaks with Alabama-based artist and musician Holland Hopson on working with variation and multiples, the visual collection of databases, and how the world is quantified.
Noah Reyes speaks with Alabama-based artist and musician Holland Hopson on working with variation and multiples, the visual collection of databases, and how the world is quantified.
In August’s co-publishing partnership with Oxford American, Whitney Washington explores the origins and crafted work of Frank Lloyd Wright’s Rosenbaum House in Florence, Alabama.
E.C. Flamming visits the Atlanta-based studio of Kole Nichols to discuss the value of embracing imperfections and the pathway between spaces.
For the May co-publishing feature with Oxford American, Ravi Howard dives into the history and lasting legacy of the Banana Docks in Mobile, Alabama.
For the April co-publishing feature with Oxford American, Emily McCrary explores how Auburn University’s James E. Foy Information Desk serves as a lifeline where student workers field all manner of questions from callers around the world.
Whitney Washington reviews the disarticulation and dream world created by John Paul Kesling in his solo exhibition Lean-To at Lowe Mill ARTS & Entertainment, Huntsville.
Emily Llamazales interviews Atlanta-based artist Shawn Campbell on his solo exhibition Act III: The Act of Acting at Alabama Contemporary Art Center in Mobile, putting oneself into the shoes of the cowboy, and the sustaining life of this archetype through manufactured art objects.
Daniel Fuller reviews the retrospective Structural Integrity on Hayward Oubre at the Birmingham Museum of Art, revealing the artist’s deep commitment to his craft and long-overdue acknowledgement of his interdisciplinary practice.
Whitney Washington reviews the playful juxtaposition of artist Erin Dailey’s compositions against Frank Lloyd Wright’s architecture in Abstractions at Play at The Rosenbaum House, Florence.