Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham
Miriam Calleja reviews the aberration seen in the hydrographic screenprint and faux ceramic works found in Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham.
Alabama (9)
Deciphering the Alabama Barn Quilt Trail, a travelogue
For Burnaway’s SCHOOLHOUSE theme, Whitney Washington travels along the Alabama Barn Quilt Trail, reflecting on the traditional meaning-making behind quilt patterns and the tensions between identity, home, and history underlying the project.
Sumac Cottage in Greensboro, Alabama
Burnaway visits Sumac Cottage, a restored 19th-century building hosting workshops, exhibitions, performances, and community events in Greensboro, Alabama.
Room 412 in Birmingham, Alabama
Burnaway visits Room 412, an artist-run gallery in Birmingham, Alabama, that developed from a sense of shared momentum and need for connection within the city’s artist community, in April’s edition of DIY Index.
Blue Moon Cocoon at Abroms-Engel Institute for the Visual Arts at University of Alabama, Birmingham
Courtney McClellan reviews Virginia L. Montgomery’s tender affection for the luna moth in Blue Moon Cocoon at Abroms-Engel Institute for the Visual Arts at University of Alabama, Birmingham.
The Warmth of Memories: In Conversation with Arielle Weenonia Gray
Sidney Pettice interviews Arielle Weenonia Gray, an Alabama-born Black woman photographer, speaking on being a grandma baby, growing up in the age of the internet, and the intimacy of Southern homescapes.
An Account of the Ghosts I Know
To kick off the 2026 Mood Ring cycle, Jerstin Crosby guides readers on a ghost tour road trip through Alabama in AN ACCOUNT OF THE GHOSTS I KNOW.
All Aboard the Mardi Gras Line
In November’s co-publishing initiative with Oxford American, Holly Devon reports on Amtrak’s new Mardi Gras Service line that restores passenger rail transit between New Orleans and Mobile on the Gulf Coast.
In Conversation with Holland Hopson
Noah Reyes speaks with Alabama-based artist and musician Holland Hopson on working with variation and multiples, the visual collection of databases, and how the world is quantified.
