unmonumentATL: Tristan Al-Haddad

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For our unmonumentATL series, we asked 13 artists to share their personal un-monuments with our readers. From January 13 to 29, we will present one artist’s submission per day. And don’t miss Nick Kahler‘s incisive two-part essay on the subject. UnmonumentATL was conceived by former BURNAWAY editor Rachel Reese.

Join us for the Athens Art Book Fair this June!

Tristan Al-Haddad submitted a photo without text. His explanation: Walmart = ubiquitous.

A Landscaped Longed For: The Garden as Disturbance at the Crisp-Ellert Art Museum, St. Augustine

Reviews

Christopher Stephen reviews the visual metaphors of the garden found in A Landscape Longed For: The Garden as Disturbance at the Crisp-Ellert Art Museum, St. Augustine.

https://burnaway.org/cdn-cgi/imagedelivery/5XinE65stsjS8LMDyq7qNA/burnaway.org/2024/04/Kevin-Ford-Tops-Gallery-15.jpg/w=540,h=354

Kevin Ford: Ids of March at Tops Gallery, Memphis

Reviews

Maria Owen reviews the playful invitations found in Kevin Ford's Ids of March at Tops Gallery, Memphis.

https://burnaway.org/cdn-cgi/imagedelivery/5XinE65stsjS8LMDyq7qNA/burnaway.org/2024/04/RNI-Films-IMG-E3093BF4-6589-4853-B154-2D9218E23E0A.jpeg/w=540,h=856

In the Studio with Chayse Sampy

Daily

Amarie Gipson visits mixed-media artist Chayse Sampy in her shared studio in Downtown Houston to discuss living in the South, Afro-surrealism, and the color blue.

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