Photo by John Ramspott. Dodge & Burn is a series of photo essays documenting local culture with a focus on artful imagery, movement, and light.
In conjunction with BURNAWAY’s“Ruins and Rebirth” Third Annual Fundraiser on Saturday, this week’s Dodge & Burn features picks from over the last year of the column. These highlights illustrate our city’s capacity for change—from performance pieces that completely transform a desolate space into a land of mystery, to the revitalization around The Goat Farm Arts Center, to simple everyday moments that speak volumes about life—these photographs capture that energy and history of Atlanta. Enjoy! Photo by Karley Sullivan. Photo by Karley Sullivan. Photo by Karley Sullivan. Photo by Karley Sullivan. Photo by Ryan Nabulsi. Photo by Ryan Nabulsi. Photo by Ryan Nabulsi. Photo by Ryan Nabulsi. Photo by John Ramspott. Photo by John Ramspott. Photo by John Ramspott. Dodge & Burn will be taking a small break during the month of September to recharge our photographic batteries. Expect more in the coming months from this column including new photographers, and watch our Flickr account for regular updates!
Seen through the work of artists Sofía Gallisá Muriente and Hope Strickland, Daisy Gould considers how hurricanes and storms influence Caribbean moving image practices.
Anna Nelson-Daniel reviews Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah.
In June's co-publishing partnership with Oxford American, UFO enthusiast and author Will Clarke goes behind the scenes at Rice University’s 2025 Archives of the Impossible Conference in Houston, Texas.
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