Photo by John Ramspott. Dodge & Burn is a series of photo essays documenting local culture with a focus on artful imagery, movement, and light.
In conjunction with BURNAWAY’s“Ruins and Rebirth” Third Annual Fundraiser on Saturday, this week’s Dodge & Burn features picks from over the last year of the column. These highlights illustrate our city’s capacity for change—from performance pieces that completely transform a desolate space into a land of mystery, to the revitalization around The Goat Farm Arts Center, to simple everyday moments that speak volumes about life—these photographs capture that energy and history of Atlanta. Enjoy! Photo by Karley Sullivan. Photo by Karley Sullivan. Photo by Karley Sullivan. Photo by Karley Sullivan. Photo by Ryan Nabulsi. Photo by Ryan Nabulsi. Photo by Ryan Nabulsi. Photo by Ryan Nabulsi. Photo by John Ramspott. Photo by John Ramspott. Photo by John Ramspott. Dodge & Burn will be taking a small break during the month of September to recharge our photographic batteries. Expect more in the coming months from this column including new photographers, and watch our Flickr account for regular updates!
Merin McDivitt highlights one western North Carolina exhibition that’s a testament to storm recovery while showcasing weaving as a symbol of resilience, connection, toughness, and tenderness in Holding Together: Cloth, Material & Making at Madison County Arts Council, Marshall.
Our monthly round up of opportunities include residencies in Georgia, Virginia, and Florida, a Princeton-based fellowship, and a juried exhibition in Athens.
Daisy Gould considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis for the 61st Venice Biennale.
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