Selections from the Collection of Sylvia and Jan Peters

Daniel Fuller reviews Edmonia Lewis: Said in Stone, the first major retrospective devoted to the artist, on view at the Georgia Museum of Art, Athens.

Mario Andrés Rodriguez reflects on the lived politics of Caribbean music in his review of Dancing The Revolution: From Dancehall to Reggaeton, at the Museum of Contemporary Art Chicago.

Miriam Calleja reviews the aberration seen in the hydrographic screenprint and faux ceramic works found in Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham.