Tara Escolin reviews the decade of unpublished work and revision found in Ron Ewert’s exhibition I’ll Keep it with Mine, at Good Weather in Little Rock.
Sophia Wright profiles the work of Daniel Essig, an Asheville-based artist whose sculptural books bridge together the ancient and spiritual with contemporary craft.
In July’s co-publishing partnership with Oxford American, Leo Shannon writes on the flood-salvaged recordings of Morgan Sexton, the East Kentucky banjo legend.
