Emily Alesandrini reviews Sadie Sheldon's solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
Seen through the work of artists Sofía Gallisá Muriente and Hope Strickland, Daisy Gould considers how hurricanes and storms influence Caribbean moving image practices.
In June's co-publishing partnership with Oxford American, UFO enthusiast and author Will Clarke goes behind the scenes at Rice University’s 2025 Archives of the Impossible Conference in Houston, Texas.
