Kristina Kay Robinson visits the studio of Matthew Rosenbeck, a multidisplinary artist working in New Orleans who repurposes salvaged, found materials.
Seen through the work of artists Sofía Gallisá Muriente and Hope Strickland, Daisy Gould considers how hurricanes and storms influence Caribbean moving image practices.
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
