Yashi Davalos reviews the somatic suppression to time and sound found in Marie Bannerot McInerney: Trace Me Back at Crystal Bridges Museum of American Art, Bentonville.
Madeleine Seidel reviews the absence of boundaries and geography found in the collective of Atlanta artists on view in The sea swept the sandcastles away. (To wake up in Atlanta!) at MARCH, New York.
Pulling from loss, the physical drop of objects and bodies, and three-channel videos, Arkansas-based artist Bethany Springer considers the slow-motion process of grieving, scientific experiments, and action as existence.